Rowland B. Wilson's trade secrets notes on cartooning and animation

Animation doesn't come with instructions; Rowland B. Wilson demanded guidelines. Trade Secrets offers a never before published peek into the personal journals of Rowland B. Wilson (1930-2005), a legend in the world of Cartooning, Advertising, Illustration and Animation. Trade Secrets is a compe...

Full description

Bibliographic Details
Main Author: Wilson, Rowland B.
Other Authors: Lemieux-Wilson, Suzanne
Format: eBook
Language:English
Published: Burlington Elsevier/Focal Press 2012
Subjects:
Online Access:
Collection: O'Reilly - Collection details see MPG.ReNa
LEADER 05308nmm a2200577 u 4500
001 EB001952186
003 EBX01000000000000001115088
005 00000000000000.0
007 cr|||||||||||||||||||||
008 210123 ||| eng
020 |a 0240817346 
020 |a 9780240817354 
020 |a 0240817354 
020 |a 9781136127267 
020 |a 9781136127250 
020 |a 9780240817347 
020 |a 1136127259 
050 4 |a NC1320 
100 1 |a Wilson, Rowland B. 
245 0 0 |a Rowland B. Wilson's trade secrets  |b notes on cartooning and animation  |c authored by Rowland B Wilson ; edited by Suzanne Lemieux-Wilson 
246 3 1 |a Trade secrets 
260 |a Burlington  |b Elsevier/Focal Press  |c 2012 
300 |a 1 online resource  |b illustrations (chiefly color) 
505 0 |a Front Cover; Rowland B. Wilson's Trade Secrets: Notes on Cartooning & Animation; Copyright Page; Contents; Foreword; Tradition and Originality; The Remedy Paradox; Excellence and Perfection; The Spirit of Sacrifice; Knowledge, Wisdom and Information; Introduction-The Flow Charts; The Flow Charts: Interpretation, Composition and Rendition; Interpretation; The Act; The Scene; Setting, Set Dressing and Viewpoint; Time and Season, Atmosphere and Weather; Light; Players, Costume and Props, Business and Gesture; Caricature; Proportion, Metaphor and Emotional Heightening 
505 0 |a Includes bibliographical references and index 
505 0 |a Useful Places for Comedy DisruptionEvery Shot is Subjective; Examples; 3-Caricature; Caricature; Possible Effects; Gesture and Expression; Metaphor; Form; Contrast; Heightening; Light for Caricature; Color in Caricature; Character Drawing; 4-Composition; Breadth and Detail (Resolution); The "OAK" Formula for Dynamic Picture-Making; Blick; Examples of Blicks; The Style of a Blick; The Composition of a Blick; Blick as Related to Townscape; 5-Shape, Line and Tone; Line; Silhouette; How Tone Dominates Color; Light Quality Created by Value Steps; Notan; The Unique Puzzling Abstract Composition 
505 0 |a Perspective, Organic and Geometric and Gesture DistortionComposition; Dominance, Grid, Rhythm and Reverse Negatives; Shape; Overlap, Focus and Eye Path, Direction, Perspectives and Vignette; Tone; Notan, Silhouette, Massing of Values, Lost and Found, Skipped Tones; Texture; Contrast, Collage, Line and Tone and Decoration; Color; Value Scheme, Hue Scheme and Refraction; Rendition; Techniques; Resist-Ink, Airbrush, Aquapasto, Spot Shadows, Mottling and Spatter; Line; Signature, Self-Line, Complement and Highlight; Shape; Signature, Edges, Negative, Coming Apart and Line Hatch; Tone 
505 0 |a =Compound Notan=Figure/Ground versus Compound Notan vis-à-vis the Three Qualities for Beauty; 6-Color; Color Ideas; Optical Mixing; "The Soup"; Choice of Colors for a Mix; Some Color Mixtures for Painting the Sky; Useful Colors; Color Advice from Edgar Payne; Charting the Hue, Value, Temperature and Intensity of a Color; Neutralizing a Color/Changing Value; Neutral Colors; Art Nouveau Color Schemes; 7-Rendition; Transparent and Opaque Watercolor Techniques; 8-The Process; Working Notes from the Studio; Lessons from "The Paisley Whale"; Working Notes for Cartoons, Illustrations and Animation 
505 0 |a Surfaces, Articulated, the Extremes, Fat and LeanColor; Irradiation, Hue Families and Caricature; About the Logos; Brief Outline; 1-The Act; Story; Storytelling: The Point of View; Where to Put the Camera?; The Aspects of Pictorial Storytelling; Subject Matter; Chain of Events; Story Rendition; Story Themes; Story Focal Points; Story Focus; Treatment; Forms of Storytelling; Animation vis-á-vis the Storytelling Forms; What Would Adapt to Animation?; More Thoughts on "Story"; Systems Within Systems; The Play within a Play; 2-The Scene; Setting the Scene: the Place 
653 |a Animation (Cinematography) / Technique / fast 
653 |a Cartooning / Technique 
653 |a Wilson, Rowland B. / 1930-2005 / blmlsh 
653 |a ART / Techniques / Drawing / bisacsh 
653 |a Animation (Cinéma) / Technique 
653 |a Animation (Cinematography) / Technique 
653 |a Dessin humoristique / Technique 
653 |a Cartooning / Technique / fast 
653 |a HUMOR / General / bisacsh 
700 1 |a Lemieux-Wilson, Suzanne 
041 0 7 |a eng  |2 ISO 639-2 
989 |b OREILLY  |a O'Reilly 
015 |a GBB6G4738 
776 |z 9781136127267 
776 |z 0240817354 
776 |z 9780240817354 
776 |z 9780240817347 
776 |z 1136127267 
856 4 0 |u https://learning.oreilly.com/library/view/~/9780240817347/?ar  |x Verlag  |3 Volltext 
082 0 |a 741.5 
082 0 |a 741.2 
520 |a Animation doesn't come with instructions; Rowland B. Wilson demanded guidelines. Trade Secrets offers a never before published peek into the personal journals of Rowland B. Wilson (1930-2005), a legend in the world of Cartooning, Advertising, Illustration and Animation. Trade Secrets is a compendium of tips, €tricks, €philosophies and techniques garnered over a lifetime of professional animation and artistry. Study one-on-one with a mentor whose Walt Disney film credits include The Little Mermaid, Tarzan, Atlantis and Treasure Planet. These writings represent the quintessential refresh