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|a 1136088229
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|a 1136088172
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|a 9781136088179
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4 |
|a TR267.5.A3
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|a Davis, Harold
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|a The Photoshop darkroom 2
|b creative digital transformations
|c Harold Davis, Phyllis Davis
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|a Photoshop darkroom two
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| 246 |
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|a Creative digital transformations
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| 260 |
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|a Burlington, Mass.
|b Focal Press/Elsevier
|c 2011
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| 300 |
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|a 1 online resource
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|a Includes bibliographical references and index
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|a Introduction -- A ballet with reality -- Making the unseen visible -- Building the impossible
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| 653 |
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|a Photography / Digital techniques / fast
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| 653 |
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|a Photography, Artistic / fast
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| 653 |
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|a Adobe Photoshop / blmlsh
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| 653 |
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|a Adobe Photoshop / fast
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| 653 |
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|a Photography / Digital techniques / http://id.loc.gov/authorities/subjects/sh90001789
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| 653 |
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|a Adobe Photoshop / http://id.loc.gov/authorities/names/n91104658
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| 653 |
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|a Photographie numérique
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| 653 |
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|a PHOTOGRAPHY / Techniques / Digital / bisacsh
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| 653 |
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|a retouching / aat
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| 653 |
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|a art photography / aat
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| 653 |
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|a Photographie artistique
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| 653 |
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|a Retouche (Photographie)
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| 653 |
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|a Photography, Artistic / http://id.loc.gov/authorities/subjects/sh85101269
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| 653 |
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|a Photography / Retouching / fast
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| 653 |
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|a Photography / Retouching / http://id.loc.gov/authorities/subjects/sh85101255
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| 653 |
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|a COMPUTERS / Computer Graphics / Image Processing / bisacsh
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| 700 |
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|a Davis, Phyllis
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|a eng
|2 ISO 639-2
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| 989 |
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|b OREILLY
|a O'Reilly
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| 776 |
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|z 0240815319
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| 776 |
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|z 9780240815312
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| 856 |
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|u https://learning.oreilly.com/library/view/~/9780240815312/?ar
|x Verlag
|3 Volltext
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|a 770
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|a 006.6/96
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|a Award-winning photography/design team Harold and Phyllis Davis are back with a brand new volume in their new Photoshop Darkroom series. Picking up where their best-selling first book left off, The Photoshop Darkroom 2: Advanced Digital Post-Processing will show you everything you need to know to take your digital imaging skills to the next level. Great photographers know that the best images begin well before the shutter clicks, and certainly well before Photoshop boots up. Harold takes a step back, and shares his helpful tips for capturing the most compelling images possible by keeping in
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