Recording studio design
"Essential for anyone building, renovating or maintaining a recording studio; includes 3 whole new chapters on foldback, electrical supplies and analogue interfacing; new sections on cinema soundtrack mixing rooms and TV voice rooms. Covering acoustics, electro-acoustics and psychoacoustics New...
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| Format: | eBook |
| Language: | English |
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Oxford
Elsevier/Focal Press
2008
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| Edition: | 2nd ed |
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| Online Access: | |
| Collection: | O'Reilly - Collection details see MPG.ReNa |
Table of Contents:
- Ch. 1. General requirements and common errors
- Ch. 2. Sound, decibels and hearing
- Ch. 3. Sound isolation
- Ch. 4. Room acoustics and means of control
- Ch. 5. Designing neutral rooms
- Ch. 6. Rooms with characteristic acoustics
- Ch. 7. Variable acoustics
- Ch. 8. Room combinations and operational considerations
- Ch. 9. The studio environment
- Ch. 10. Limitations to design predictions
- Ch. 11. Loudspeakers in rooms
- Ch. 12. Flattening the room response
- Ch. 13. Control rooms
- Ch. 14. The behaviour of multiple loudspeakers in rooms
- Ch. 15. Studio monitoring: the principal objectives
- Ch. 16. The non-environment control room
- Ch. 17. The live-end, dead-end approach
- Ch. 18. Response disturbances due to mixing consoles and studio furniture
- Ch. 19. Objective measurement and subjective evaluations
- Ch. 20. Studio monitoring systems
- Ch. 21. Surround sound and control rooms
- Ch. 22. Human factors
- Ch. 23. A mobile control room
- Ch. 24. Foldback
- Ch. 25. Main supplies and earthing systems
- Ch. 26. Analogue audio interfacing
- Includes bibliographical references and index
- General requirements and common errors; Sound, decibels and hearing; Sound isolation; Room acoustics and means of control; Designing neutral rooms; Rooms with characteristic acoustics; Variable acoustics; Room combinations and operational considerations; The studio environment; Limitations to design predictions; Loudspeakers in rooms; Flattening the room response; Control rooms; The behaviour of multiple loudspeakers in rooms; Studio monitoring: the principal objectives; The non-environment control room; The live-end, dead-end approach; Response disturbances due to mixing consoles and studio furniture; Objective measurement and subjective evaluations; Studio monitoring systems; Surround sound and control rooms; Human factors; A mobile control room; Appendices; Glossary of terms