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210123 ||| eng |
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|a 9780080505121
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|a 9781136050053
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|a 1136050051
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|a 9781136050107
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|a 1136050108
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|a 1136050094
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|a 9781138140325
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|a 0080505120
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|a 9781136050091
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|a PN1992.75
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1 |
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|a Millerson, Gerald
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| 245 |
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|a Effective TV production
|c Gerald Millerson
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| 250 |
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|a Third edition
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| 260 |
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|a Milton Park, Abingdon, Oxon
|b Routledge
|c 2016
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| 300 |
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|a 1 online resource
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0 |
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|a Television today -- Television production -- The production team -- The director's role -- TV camera units -- A studio tour -- Production control -- The TV/video camera -- Camera controls -- Camera facilities -- Supporting the camera -- What are 'lens angles'? -- Wide-angle lens -- Using the zoom lens -- Why zoom? -- Defining the shot -- Choosing the shot -- Close shots -- Long shots -- Moving the camera -- Motivated camera movement -- Composing the picture -- Clarifying the shot -- The production switcher vision mixer -- Choosing picture transitions -- Intercut shots -- Choosing microphones -- Audio control -- Methods of sound pickup -- Practical sound pickup -- Practical sound problems -- Scenery -- The aims of lighting -- Lighting problems -- The aims of makeup -- Clothes on TV -- The need for production techniques -- Production treatment -- Styles and formats -- Basic productional methods -- Single-camera production -- Multi-camera production -- Changing shot-moving performer -- Changing shot : camera and switching -- Shooting the moving subject -- Production formats -- Basic production styles -- Developing a TV production planning visual treatment
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|a Shot development -- Pictorial variety -- What facilities are needed? -- Is planning really necessary? -- Production approaches -- Organizing production mechanics -- Plans and elevations -- Developing the staging plan -- Planning shots -- Scripting for television -- Production paperwork -- Pre-studio rehearsal -- Studio rehearsals -- The floor manager -- Guiding the crew -- Production timing -- Visual padding -- How to direct audience attention -- Creating and controlling interest -- Influencing audience attitude -- Confusing or frustrating techniques -- Stretching the facilities -- Economy thinking -- Sound ideas -- Unorthodox treatment -- Continuity -- Using titling -- Using graphics -- Using film -- Using videotape -- Electronic insertion -- Guiding the talent -- Cuing -- Prompting -- The commentary -- The single performer -- Interviews -- Talk shows -- Newscasts -- The illustrated talk -- Demonstrations -- Music and dance -- Quiz and game shows -- TV drama -- The studio audience -- Reminders on effective directing -- A check list of common errors -- Shooting on location -- Color
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|a Includes bibliographical references
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| 653 |
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|a Télévision / Production et réalisation
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| 653 |
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|a Television / Production and direction / http://id.loc.gov/authorities/subjects/sh85133468
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| 653 |
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|a Television / Production and direction / fast
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| 653 |
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|a PERFORMING ARTS / Television / Direction & Production / bisacsh
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| 041 |
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7 |
|a eng
|2 ISO 639-2
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| 989 |
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|b OREILLY
|a O'Reilly
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| 490 |
0 |
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|a Media manuals
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| 500 |
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|a "First published 1976, 1983, 1993 by Focal Press."
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| 015 |
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|a GBB6F7199
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| 776 |
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|z 024051324X
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| 776 |
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|z 9781136050107
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| 776 |
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|z 9781138140325
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| 776 |
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|z 9781136050091
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| 776 |
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|z 1136050094
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| 776 |
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|z 9780080505121
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| 776 |
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|z 9781136050053
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| 776 |
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|z 9780240513249
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| 856 |
4 |
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|u https://learning.oreilly.com/library/view/~/9781136050091/?ar
|x Verlag
|3 Volltext
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| 082 |
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|a 791.45/0232
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| 082 |
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|a 384.55
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| 520 |
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|a Effective TV Production gives a succinct but thorough overview of the production process. Whatever your role in television, this book outlines the main functions of your job, placing them in the context of all other operations and showing how they are interrelated. The book shows how, within the often severe limitations of time and money, it is possible to originate interesting and competitive television programmes. It describes the essentials of good camerawork and relates them to considerations of audio, staging, lighting, make-up and wardrobe techniques and the way in which a production is developed in approach and style form the initial stages to the moment of shooting. This edition is substantially revised to reflect developments in technology and contemporary production styles. Gerald Millerson'd books on television have long been acknowledged as among the best ever published
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