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210123 ||| eng |
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|a 0240804279
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|a 9781136053535
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|a 1136053530
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4 |
|a TR860
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| 100 |
1 |
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|a Ohanian, Thomas A.
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| 245 |
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|a Digital filmmaking
|b the changing art and craft of making motion pictures
|c Thomas A. Ohanian, Michael E. Phillips
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| 250 |
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|a 2nd ed
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| 260 |
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|a Boston
|b Focal Press
|c 2000
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| 300 |
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|a 1 volume
|b illustrations
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| 505 |
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|a Includes bibliographical references and index
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| 505 |
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|a Camera OperatorKey Grip; Gaffer; Production Sound Mixer; Script Supervisor/continuity; Developing And Printing The Film; Postproduction; Negative Cutter; Visual Effects Producer; Re-recording Mixer; Scoring Mixer; Titles And Effects Supervisor; The Color Timer; The Collaborative Process Offilmmaking; Industry Viewpoints; Howard Smith-film Editor; 2. Introduction To Digital Filmmaking; Film Categories; Film-a World Perspective; The Digital Filmmaking Experience; Industry Viewpoints; Fraser Heston-director/writer; Preserving And Sharinginformation
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| 505 |
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|a The Editorial StageEditorial Interaction With Paralleloperations; Industry Viewpoints; Frank Kerr-film Director; Networking; Screening; Changes; Sound Sweetening And Mixing; Libraries For Picture And Sound; Finishing The Film; The Film Negative; Timing Lite Information; Computerized Workprint Andnegative Location Tables; Film Exhibition Anddistribution; Theater And Film Or Television Andvideo?; Ancillary And New Markets; Electronic Distribution; Industry Viewpoints; Kim Aubry-vice-president,engineering And Technology,american Zoetrope; Rob Kobrin-editor
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| 505 |
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|a Preproduction, Production/postproduction, And DistributionWhy Filmmaking Is Changing; The Digital Filmmaking Flowchart; Preproduction; The Script; Industry Viewpoints; Tim Mcgovern-svp Of Creativeand Technical Affairs, Sonypictures Imageworks; Previsualization; Set Construction And Lightingconsiderations; Script And Previsualization:an Interconnected Process; The Script Supervisor And Logging; The Camera, Sound, Andon-location Digital Recordingprocesses; On-set/on-locationprevisualization, Editorial/ Andcompositing; The Laboratory; The Telecine; Electronic Dailies; Dailies Projection
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| 505 |
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|a Cover; Digital Filmmaking; Copyright; Contents; Foreword; Preface To The Second Edition; Acknowledgments; Introduction; Preproduction And Previsualization; 1. From Filmmaking To Digital Filmmaking; Industry Viewpoints; George Lucas-filmmaker/lucasfilm; The Process And The Peoplewho Make Films; Collaboration Defines Filmmaking; Preproduction; The Screenwriter; Script Breakdown; Budgeting; Scheduling; Casting; Production Designer; Location Scout; Set Designer; Set Decorator; Property Master; Costume Designer; Makeup Artist; Production Illustrator; Production; Director Of Photography
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| 505 |
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|a Basil Pappas-film And Digital,nonlinear Editor3. Scripting, Breakdown,scheduling, And Budgeting; Scripting; Scheduling; Budgeting; Industry Viewpoints; Elizabeth Rodeno-production Manager, Film And Commercial Productions; 4. Previsualization; Envisioning The Finished Film; Industry Viewpoints; Frank Foster-vice President Of Previsualization, Sony Pictures Image Works; Utilizing The Work Products Of The Previsualization Stage; Storyboarding: Visualizing Scene Coverage; Electronic Storyboarding Software; Storyboarding Tools And Creatingan Electronic Storyboard; Drawing And Pasting
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| 653 |
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|a Digital cinematography / http://id.loc.gov/authorities/subjects/sh2001001797
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| 653 |
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|a Cinéma numérique
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| 653 |
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|a Digital cinematography / fast
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| 700 |
1 |
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|a Phillips, Michael E.
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| 041 |
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|a eng
|2 ISO 639-2
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| 989 |
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|b OREILLY
|a O'Reilly
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| 776 |
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|z 9780240804279
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| 856 |
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|u https://learning.oreilly.com/library/view/~/9780240804279/?ar
|x Verlag
|3 Volltext
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| 082 |
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|a 777
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|a 778.53
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| 520 |
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|a Digital Filmmaking has been called the bible for professional filmmakers in the digital age. It details all of the procedural, creative, and technical aspects of pre-production, production, and post-production within a digital filmmaking environment. It examines the new digital methods and techniques that are redefining the filmmaking process, and how the evolution into digital filmmaking can be used to achieve greater creative flexibility as well as cost and time savings. The second edition includes updates and new information, including four new chapters that examine key topics like digital
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