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210123 ||| eng |
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|a 0132835924
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| 050 |
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4 |
|a TR899-899.5
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| 100 |
1 |
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|a Creative Team, Adobe
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| 245 |
0 |
0 |
|a Adobe® Premiere® Pro CS5 Classroom in a Book®
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| 260 |
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|b Adobe Press
|c 2011
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| 300 |
|
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|a 418
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| 505 |
0 |
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|a Sequence Settings -- Adjusting User Preferences -- Importing Assets -- Taking A Closer Look At Images -- Image Tips -- Managing Media In Bins -- Exploring Additional Bin Features -- Having Multiple Bins Open At Once -- Finding Assets -- Finding Assets With The Media Browser -- 3 Importing And Managing Tapeless Media -- Topics Covered In This Lesson -- Getting Started -- Using A Tapeless Workflow -- Panasonic P2 -- Sony Xdcam -- Avchd -- Digital Still Cameras That Shoot High-Definition Video -- Using The Media Browser -- Importing Xdcam Media -- Importing P2 Media -- P2 Folder Structure -- Importing Avchd Media -- Mixing Media Formats -- 4 Shooting And Capturing Great Video Assets -- Topics Covered In This Lesson -- Getting Started -- Tips For Shooting Great Video -- Get A Closing Shot -- Get An Establishing Shot -- Shoot Plenty Of Video -- Adhere To The Rule Of Thirds -- Keep Your Shots Steady -- Follow The Action -- Use Trucking Shots -- Find Unusual Angles --
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| 505 |
0 |
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|a Lean Forward Or Backward -- Get Wide And Tight Shots -- Shoot Matched Action -- Get Sequences -- Avoid Fast Pans And Snap Zooms -- Shoot Cutaways -- Use Lights -- Grab Good Sound Bites -- Get Plenty Of Natural Sound -- Plan Your Shoot -- Capturing Video -- Three Dv/Hdv-Capturing Scenarios -- Capturing An Entire Tape -- Using Batch Capture And Scene Detection -- Use A Clip-Naming Convention -- Use Scene Detection -- Tackling Manual Analog Movie Capture -- Capturing Hdv And Hd Video -- 5 Creating Cuts-Only Videos -- Topics Covered In This Lesson -- Getting Started -- Using A Storyboard To Build A Rough Cut -- Arranging Your Storyboard -- Automating Your Storyboard To A Sequence -- Editing Clips On The Timeline -- Trimming A Clip -- Using The Ripple Edit Tool -- Moving Clips To, From, And Within The Timeline -- Using The Current-Time Indicator To Establish The Edit Point
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| 505 |
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|a Cover -- Contents -- Getting Started -- About Classroom In A Book -- Prerequisites -- Installing Adobe Premiere Pro Cs5 -- Adobe Premiere Pro Cs5 Trial -- Optimizing Performance -- Copying The Lesson Files -- How To Use These Lessons -- Additional Resources -- Adobe Certification -- Checking For Updates -- 1 Touring Adobe Premiere Pro Cs5 -- Topics Covered In This Lesson -- New Features In Adobe Premiere Pro Cs5 -- Nonlinear Editing In Adobe Premiere Pro Cs5 -- Presenting The Standard Digital Video Workflow -- Enhancing The Workflow With High-Level Features -- Incorporating Other Cs5 Components Into The Editing Workflow -- Adobe Cs5 Production Premium Workflow -- Touring The Adobe Premiere Pro Workspace -- The Workspace Layout -- Customizing The Workspace -- 2 Selecting Settings, Adjusting Preferences, And Managing Assets -- Topics Covered In This Lesson -- Getting Started -- Selecting Project Settings By Sequence -- Three Types Of Settings -- Specifying Project Settings --
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| 653 |
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|a Digital video / Editing / Data processing
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| 653 |
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|a Vidéo numérique / Montage / Informatique
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| 653 |
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|a Adobe Premiere / http://id.loc.gov/authorities/names/n94023547
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| 653 |
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|a Digital video / Editing / Data processing / fast / (OCoLC)fst00893741
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| 653 |
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|a Adobe Premiere / fast / (OCoLC)fst01381865
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| 653 |
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|a Montage (Cinéma) / Informatique
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| 653 |
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|a Motion pictures / Editing / Data processing / fast / (OCoLC)fst01027321
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| 653 |
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|a Adobe Premiere / blmlsh
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| 653 |
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|a Motion pictures / Editing / Data processing
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| 041 |
0 |
7 |
|a eng
|2 ISO 639-2
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| 989 |
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|b OREILLY
|a O'Reilly
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| 776 |
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|z 9780132835909
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| 776 |
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|z 0132835924
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| 776 |
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|z 9780132835923
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| 856 |
4 |
0 |
|u https://learning.oreilly.com/library/view/~/9780132835923/?ar
|x Verlag
|3 Volltext
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| 082 |
0 |
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|a 791.43
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| 082 |
0 |
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|a 778.5930285536
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| 082 |
0 |
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|a 006.696
|