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210123 ||| eng |
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|a 1317519876
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|a 9781317519874
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|a 1138854824
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4 |
|a NC1765
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| 100 |
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|a Bendazzi, Giannalberto
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| 245 |
0 |
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|a Animation, Volume 3: Contemporary times
|b a world history
|c Giannalberto Bendazzi
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| 246 |
3 |
1 |
|a Contemporary times
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| 260 |
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|a Boca Raton, FL
|b Focal Press
|c 2016
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| 300 |
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|a 1 volume
|b illustrations
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| 505 |
0 |
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|a Bosnia and HerzegovinaBulgaria; Romania; Cyprus; Ukraine; Georgia; Armenia; Robert Sahakyants; Azerbaijan; Greece; Yiorgos Sifianos; Albania; Italy; The Neo-Pictorial Current; Spain; The New Era; The Turning Point; TV Series; Shorts; Portugal; Russia; History of the 1990s; History of the 2000s; Economy; A Look Back, in Anger; Tatarsky and Pilot, the Greatest Adventure; Producers: The New Class; Prokhorov, from Science to Children's Films; Directors; More About It 1; More About It 2; 4 Asia; Japan, Asiatic Giant; A Lost Decade?; Studio Ghibli; Takahata Isao; Miyazaki Hayao
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| 505 |
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|a StorytellingCGI and Feature Films; Tim Burton, Henry Selick, Mike Johnson; Tim Burton; Henry Selick; Mike Johnson; The Independents; Outside Animation; Duration: Long Form; Duration: Time and Space; Performance Catharsis; Documentary; New Yorkers; Out There; Digital Pulp; Women in the Limelight; Vibeke Sorensen; Deanna Morse; Joanna Priestley; Maureen Selwood; The Soloists; Bill Plympton; Igor Kovalyov; Canada; Steven Woloshen; Normand Roger; Wendy, Amanda, and the Others; Jacques Drouin; The Evolution of Pierre Hébert; 3 Europe; Great Britain: The Wonderful Years; Channel 4 Animation
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| 505 |
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|a Cover; Title; Copyright; Contents; The Sixth Period; 1 Contemporary Times; The Last Days of the Wall; An Animation Notebook; 2 North America; Is TV an Art Too?; Animation Followed; Sub-Period 1: The Beginning, 1989-1998 ; Mike Judge; Nickelodeon's Double Humour; A Matter of Style; The Extremist; Sub-Period 2: 1999-2009; Authors' Work; Animated Channels; Limited Disney; Renaissance in Disney Features; The Mantle of Walt; Working on Dreams; Pixar: Character Animation in the Digital Era; Before Pixar; From Toy Story to Disney; The Pixar Touch; Computer Animation; What It Looked Like
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|a Includes bibliographical references
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| 653 |
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|a Animated television programs / History and criticism
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| 653 |
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|a Animated television programs / fast
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| 653 |
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|a Animated films / fast
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| 653 |
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|a Animated films / History and criticism / http://id.loc.gov/authorities/subjects/sh2003003086
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| 041 |
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|a eng
|2 ISO 639-2
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| 989 |
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|b OREILLY
|a O'Reilly
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| 776 |
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|z 9781138854826
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| 856 |
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|u https://learning.oreilly.com/library/view/~/9781317519874/?ar
|x Verlag
|3 Volltext
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|a 791.43/3409
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|a 384.55
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| 520 |
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|a "A continuation of 1994's groundbreaking Cartoons, Giannalberto Bendazzi's Animation : a world history is the largest, deepest, most comprehensive text of its kind, based on the idea that animation is an art form that deserves its own place in scholarship. Bendazzi delves beyond just Disney, offering readers glimpses into the animation of Russia, Africa, Latin America, and other often-neglected areas and introducing over fifty previously undiscovered artists. Full of first-hand, never before investigated, and elsewhere unavailable information, Animation : a world history encompasses the history of animation production on every continent over the span of three centuries. Volume I traces the roots and predecessors of modern animation, the history behind Cohl's Fantasmagorie, and twenty years of silent animated films. Encompassing the formative years of the art form through its Golden Age, this book accounts for animation history through 1950 and covers everything from well-known classics like Steamboat Willie to animation in Egypt and Nazi Germany. With a wealth of new research, hundreds of photographs and film stills, and an easy-to-navigate organization, this book is essential reading for all serious students of animation history"--
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