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191110 r ||| eng |
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4 |
|a PN1995
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| 100 |
1 |
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|a Hanich, Julian
|e [editor]
|
| 245 |
0 |
0 |
|a The structures of the film experience by Jean-Pierre Meunier
|h Elektronische Ressource
|b historical assessments and phenomenological expansions
|c edited by Julian Hanich and Daniel Fairfax ; translated by Daniel Fairfax
|
| 260 |
|
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|a Amsterdam
|b Amsterdam University Press
|c [2019], 2019
|
| 300 |
|
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|a 352 pages
|b illustrations
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| 505 |
0 |
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|a Includes bibliographical references
|
| 600 |
1 |
4 |
|a Meunier, Jean-Pierre / 1941-
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| 653 |
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|a Film criticism
|
| 653 |
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|a Identification (Psychology)
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| 653 |
|
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|a BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts
|
| 700 |
1 |
|
|a Fairfax, Daniel
|e [editor]
|
| 041 |
0 |
7 |
|a eng
|2 ISO 639-2
|
| 989 |
|
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|b ZDB-39-JOA
|a JSTOR Open Access Books
|
| 490 |
0 |
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|a Film theory in media history
|
| 776 |
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|z 9789048537846
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| 776 |
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|z 9048537843
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| 856 |
4 |
0 |
|u https://www.jstor.org/stable/10.2307/j.ctvpbnq82
|x Verlag
|3 Volltext
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| 082 |
0 |
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|a 791.4301/9
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| 520 |
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|a For the first time this volume makes Jean-Pierre Meunier's influential thoughts on the film experience available for an English-speaking readership. Introduced and commented by specialists in film studies and philosophy, Meunier's intricate phenomenological descriptions of the spectator's engagement with fiction films, documentaries and home movies can reach the wide audience they have deserved ever since their publication in French in 1969
|