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191022 ||| eng |
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|a 9789813293274
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|a Vallee, Mickey
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|a Sounding Bodies Sounding Worlds
|h Elektronische Ressource
|b An Exploration of Embodiments in Sound
|c by Mickey Vallee
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|a 1st ed. 2020
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| 260 |
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|a Singapore
|b Springer Nature Singapore
|c 2020, 2020
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| 300 |
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|a XI, 220 p. 1 illus
|b online resource
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|a Chapter 1 Introduction - Sounding -- Chapter 2 Sounding Voice -- Chapter 3 Sounding Between Bodies -- Chapter 4 Sounding Ecologies -- Chapter 5 Sounding Data -- Chapter 6 Sounding Place -- Chapter 7 Conclusion - Sounding Worlds
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| 653 |
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|a Communication
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| 653 |
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|a Culture
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| 653 |
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|a Media and Communication
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| 653 |
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|a Philosophy of Technology
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| 653 |
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|a Science and Technology Studies
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| 653 |
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|a Science—Social aspects
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| 653 |
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|a Technology—Philosophy
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| 653 |
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|a Cultural Studies
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|a Culture—Study and teaching
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|a Sociology of Culture
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|a eng
|2 ISO 639-2
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| 989 |
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|b Springer
|a Springer eBooks 2005-
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|a Palgrave Studies in Sound
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|u https://doi.org/10.1007/978-981-32-9327-4?nosfx=y
|x Verlag
|3 Volltext
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|a 302.2
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|a What makes a body of sound appear as an aesthetic object as well as a method for knowledge? InSounding Bodies Sounding Worlds, Mickey Vallee argues that we must impose our sonic imagination onto the non-sonic, and embrace how we sound to ourselves, sound with our animal companions, and sound in very earth itself. From the invention of the laryngoscope to the role of the spectrogram, from the call of the bird to the tumble of a rockslide, from the deep listening of environmental immersion to the computational listening of bioacoustics research, Vallee offers a wide range of cases to convincingly argue that all life shares in a continuous, embodied and ethical vibration
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