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|a 9780190229122
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|a PN1993.5.C2
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|a Marchessault, Janine
|e [editor]
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|a The Oxford handbook of Canadian cinema
|h Elektronische Ressource
|c edited by Janine Marchessault and Will Straw
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|a Canadian cinema
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260 |
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|a New York
|b Oxford University Press
|c 2019, 2019
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|a 1 online resource
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|a Includes bibliographical references and index
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653 |
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|a Motion pictures / Canada / History
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653 |
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|a Motion pictures, Canadian / History and criticism
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|a Straw, Will
|e [editor]
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|a eng
|2 ISO 639-2
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|b OHO
|a Oxford Handbook Online
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|a Oxford handbooks online / Oxford handbooks online
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|u http://dx.doi.org/10.1093/oxfordhb/9780190229108.001.0001?nosfx=y
|x Verlag
|3 Volltext
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|a 791.430971
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|a The Oxford Handbook of Canadian Cinema offers an overview of the current state of thinking around Canadian cinema. The volume was conceived to register the variety of voices expressing themselves within Canadian cinema with special attention paid to Indigenous, Quebecois, and diasporic identities. Canadian cinema increasingly finds its place within a broad conception of "screen cultures", which extend into the divergent realms of small-scale artistic experimentation and large-scale public spectacle. Insofar as these realms have played a vital role in establishing Canada's presence within international screen culture, they are given special emphasis here. Rather than a straight historical account of cinema in Canada, this Oxford Handbook looks at the technological complexes, geographical spaces, and identity formations in which that cinema has emerged and developed
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