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03019nam a2200349 u 4500 |
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190325 r ||| eng |
| 020 |
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|z 9789089640123
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|a 9789089640123
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|z 9089640126
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|a 9089640126
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4 |
|a PN1995.9.D6
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1 |
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|a Hediger, Vinzenz
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| 245 |
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|a Films that work
|h Elektronische Ressource
|b industrial film and the productivity of media
|c edited by Vinzenz Hediger and Patrick Vonderau
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| 260 |
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|a Amsterdam
|b Amsterdam University Press
|c ©2009, 2009
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| 300 |
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|a 491 pages
|b illustrations
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| 505 |
0 |
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|a Includes bibliographical references and indexes
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| 653 |
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|a PERFORMING ARTS / Film & Video / General
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| 653 |
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|a LANGUAGE ARTS & DISCIPLINES / Journalism
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| 700 |
1 |
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|a Vonderau, Patrick
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| 041 |
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7 |
|a eng
|2 ISO 639-2
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| 989 |
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|b ZDB-39-JOA
|a JSTOR Open Access Books
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| 490 |
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|a Film culture in transition
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| 776 |
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|z 9789048502264
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| 776 |
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|z 9048502268
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| 856 |
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|u https://www.jstor.org/stable/10.2307/j.ctt45kdjb
|x Verlag
|3 Volltext
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|a 070.1/8
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| 520 |
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|a The history of industrial films - an orphan genre of twentieth-century cinema composed of government-produced and industrially sponsored movies that sought to achieve the goals of their sponsors, rather than the creative artists involved - seems to have left no trace in filmic cultural discourse. At its height the industrial film industry employed thousands, produced several trade journals and festival circuits, engaged with giants of twentieth-century industry like Shell and AT & T, and featured the talents of iconic actors and directors such as Buster Keaton, John Grierson and Alain Resnais. This is the first full-length book, anthology, and annotated bibliography to analyse the industrial film and its remarkable history. Exploring the potential of the industrial film to uncover renewed and unexplored areas of media studies, this remarkable volume brings together renowned scholars such as Rick Prelinger and Thomas Elsaesser in a discussion of the radical potential and new possibilities in considering the history of this unexplored corporate medium
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| 520 |
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|a Industriële films worden gezien als een apart filmgenre van de twintigste eeuw. Ze werden geproduceerd en gesponsord door de overheid en grote bedrijven en moesten vooral aan de wensen van de sponsors voldoen, en niet zo zeer aan die van de filmmakers. In de hoogtijdagen werkten er duizenden mensen aan deze industriële films. Zo zijn er vakbladen en filmfestivals ontstaan door samenwerking met grote bedrijven als Shell en AT & T. Daarnaast hebben belangrijke regisseurs, zoals Buster Keaton, John Grierson en Alain Resnais, aan deze films meegewerkt. Toch lijkt de industriële film geen spoor te hebben achtergelaten in het filmische culturele discours. Films that Work is het eerste boek waarin de industriële film en zijn opmerkelijke geschiedenis worden onderzocht
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