Migrant and Diasporic Film and Filmmaking in New Zealand
This book is the first ever collection on diasporic screen production in New Zealand. Through contributions by a diverse range of local and international scholars, it identifies the central characteristics, histories, practices and trajectories of screen media made by and/or about migrant and diaspo...
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Format: | eBook |
Language: | English |
Published: |
Singapore
Springer Nature Singapore
2019, 2019
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Edition: | 1st ed. 2019 |
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Online Access: | |
Collection: | Springer eBooks 2005- - Collection details see MPG.ReNa |
Table of Contents:
- Foreword by Hamid Naficy
- Preface by Annie Goldson
- Introduction Migration histories and screen representations in New Zealand
- Section I. Representations and production
- Chapter 1 Vincent Ward: Migrancy, Exile and Colonial Trauma
- Chapter 2 Kiwi Dragons in Love: The Chinese Diaspora and New Zealand Interracial Screen Romances
- Chapter 3 In/visible Subjects: Diasporic and Multicultural Identities in Zia Mandviwalla’s Short Films
- Chapter 4 Multiculturalism in No.2: Representing New Zealand in Sight and Sound
- Chapter 5 Circulating Currents: Disaporic Intensification and the Films of Tusi Tamasese
- Chapter 6 Fitting the Screen: Intermittent Production Practices and Diasporas in New Zealand
- Chapter 7: Bringing us All Together: Multiculturalism as Neoliberalism through New Zealand on Air
- Section II. Behind the Lens: A look inside the New Zealand screen industry
- Chapter 8 Shuchi Kothari (Indian Background)
- Chapter 9 Zia Mandviwalla (Indian background)
- Chapter 10 Sima Urale (Samoan background)
- Chapter 11 Tusi Tamasese (Samoan background)
- Chapter 12 Roseanne Liang (Chinese background)
- Chapter 13 Stephan Kang (Korean background)
- Conclusion Diasporising Screen