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181215 r ||| eng |
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|a E169.12
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|a Kooijman, Jaap
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|a Fabricating the absolute fake
|h Elektronische Ressource
|b America in contemporary pop culture
|c Jaap Kooijman
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|a Revised and extended edition
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|a Amsterdam
|b Amsterdam University Press
|c ©2013©2013, 2013
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|a 231 pages
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|a Includes bibliographical references and index
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|a Netherlands / fast
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|a United States / fast
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|a Netherlands / Civilization / American influences
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| 653 |
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|a POLITICAL SCIENCE / Public Policy / Cultural Policy
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| 653 |
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|a SOCIAL SCIENCE / Anthropology / Cultural
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| 653 |
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|a Popular culture / United States
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| 653 |
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|a SOCIAL SCIENCE / Popular Culture
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| 653 |
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|a SOCIAL SCIENCE / General
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| 653 |
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|a Civilization / American influences
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|a eng
|2 ISO 639-2
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| 989 |
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|b ZDB-39-JOA
|a JSTOR Open Access Books
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|a American Studies
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|a 10.1515/9789048519552
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|z 9789048519552
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|z 904851956X
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|z 9789048519569
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|z 9048519551
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|u https://www.jstor.org/stable/10.2307/j.ctt6wp7ck
|x Verlag
|3 Volltext
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|a 306.1
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|a In Fabricating the Absolute Fake, Jaap Kooijman explores the ways people around the world interpret and attempt to reproduce "Americanness." Tracing the ways America has been appropriated by pop culture produced outside the United States, he examines such icons as the Elvis-inspired performer Lee Towers and the Moroccan-Dutch rapper Ali B. This revised edition features a new chapter on Barack Obama's global celebrity and an afterword on teaching American pop culture. Like the first edition, it will prove an illuminating resource for scholars of American culture and popular cultures the world o
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