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02333nam a2200445 u 4500 |
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EB001857974 |
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EBX01000000000000001022070 |
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00000000000000.0 |
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181215 r ||| eng |
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|a 1281979600
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|z 9789053561713
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|a 9789053561713
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|z 9053561714
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|a 9053561714
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4 |
|a PN1998.3.B47
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| 100 |
1 |
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|a Törnqvist, Egil
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| 245 |
0 |
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|a Between stage and screen
|h Elektronische Ressource
|b Ingmar Bergman directs
|c by Egil Törnqvist
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| 246 |
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|a Ingmar Bergman directs
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| 260 |
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|a Amsterdam
|b Amsterdam University Press
|c ©1995, 1995
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| 300 |
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|a 243 pages
|b illustrations
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|a Includes bibliographical references (pages 226-230) and index
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| 600 |
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|a Bergman, Ingmar / 1918-2007 / fast
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| 653 |
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|a Motion pictures / Production and direction
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| 653 |
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|a Motion pictures and theater
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| 653 |
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|a PERFORMING ARTS / Film & Video / General
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| 653 |
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|a Radio / Production and direction
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| 653 |
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|a PERFORMING ARTS / Film & Video / Direction & Production
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| 653 |
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|a Theater / Production and direction
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| 041 |
0 |
7 |
|a eng
|2 ISO 639-2
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| 989 |
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|b ZDB-39-JOA
|a JSTOR Open Access Books
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| 490 |
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|a Film culture in transition
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| 500 |
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002
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| 773 |
0 |
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|t OAPEN (Open Access Publishing in European Networks)
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| 773 |
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|t Books at JSTOR: Open Access
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| 776 |
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|z 9048505658
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| 776 |
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|z 9789048505654
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| 856 |
4 |
0 |
|u https://www.jstor.org/stable/10.2307/j.ctt46mtnz
|x Verlag
|3 Volltext
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| 082 |
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|a 791.43/0233/092
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| 520 |
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|a Ingmar Bergman (1918), by now responsible for about a hundred stage performances, forty radio productions, fifty feature films and fifteen TV productions, has for more than half a century combined an impressive versatility with a very marked individual signature. None of the many books on Bergman has so far attempted to compare Bergman's stage and screen activities - despite the fact that he has been an outstanding and very productive director in both areas and despite his own statement that 'the distance between the theater and the film studio has always been a short one'
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