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181130 ||| eng |
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|a 9781108582988
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| 050 |
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|a HD82
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| 100 |
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|a Schleifer, Ronald
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| 245 |
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|a A political economy of modernism
|b literature, post-classical economics, and the lower middle-class
|c Ronald Schleifer
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| 260 |
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|a Cambridge
|b Cambridge University Press
|c 2018
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| 300 |
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|a xiii, 339 pages
|b digital
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| 505 |
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|a Machine generated contents note: 1. Methodological prologue: the constellation of modernism; Part I. Economics in the Context of Cultural Modernism: 2. The argument; 3. Modernism and economics: the long history and immediate history of modernism; Part II. Intangible Assets: Modernist Economics: 4. The origins of corporate influences on the arts: technological innovations, intangible assets, and the shapes of aesthetic experience; 5. Modernist goods, modernists arts: consumption and commodities in the new twentieth century; Interlude: from economics to discourse: economic fact, semiotic fact; Part III. Intangible Liabilities: Class and Value in the Time of Modernism: 6. The lower middle-class: literature, economics, and the shape of modernism; 7. Political economy and the fictions of finance: the modernism of Dreiser and Wells; Conclusion: cosmopolitan modernism
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| 653 |
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|a Economics / 21st century
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| 653 |
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|a Corporate culture
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| 653 |
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|a Civilization, Modern
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| 041 |
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|a eng
|2 ISO 639-2
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| 989 |
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|b CBO
|a Cambridge Books Online
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| 856 |
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|u https://doi.org/10.1017/9781108582988
|x Verlag
|3 Volltext
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|a 330.15
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| 520 |
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|a In A Political Economy of Modernism, Ronald Schleifer examines the political economy of what he calls 'the culture of modernism' by focusing on literature and the arts; intellectual disciplines of post-classical economics; and institutional structures of corporate capitalism and the lower middle-class. In its wide ranging study focused on modernist writers (Dreiser, Hardy, Joyce, Stevens, Woolf, Wells, Wharton, Yeats), modernist artists (Cézanne, Picasso, Stravinsky, Schoenberg), economists (Jevons, Marshall, Veblen), and philosophers (Benjamin, Jakobson, Russell), this book presents an institutional history of cultural modernism in relation to the intellectual history of Enlightenment ethos and the social history of the second Industrial Revolution. It articulates a new method of analysis of the early twentieth century - configuration and modeling - that reveals close connections among its arts, understandings, and social organizations
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