|
|
|
|
LEADER |
02522nmm a2200409 u 4500 |
001 |
EB001847700 |
003 |
EBX01000000000000001012005 |
005 |
00000000000000.0 |
007 |
cr||||||||||||||||||||| |
008 |
180917 ||| eng |
020 |
|
|
|a 978-3-11-034642-8
|
100 |
1 |
|
|a Lackner, Michael
|e [Hrsg.]
|
245 |
0 |
0 |
|a Polyphony embodied
|h Elektronische Ressource
|b freedom and fate in Gao Xingjian’s writings
|c edited by Michael Lackner and Nikola Chardonnens
|
260 |
|
|
|a Berlin ; Boston
|b De Gruyter
|c 2014
|
300 |
|
|
|a X, 262 Seiten
|
600 |
1 |
4 |
|a Gao, Xingjian
|
651 |
|
4 |
|a China
|
653 |
|
|
|a Literaturwissenschaft / Ausgewählte Themen der Literaturwissenschaft / Exilliteratur
|
653 |
|
|
|a Literary Studies / Topics in Literary Studies / Exile Literature
|
653 |
|
|
|a Westliche Moderne
|
653 |
|
|
|a Liberty in literature
|
653 |
|
|
|a Western Modernity
|
653 |
|
|
|a Chinese literature
|
653 |
|
|
|a Philosophie / Östliche Philosophie
|
653 |
|
|
|a Philosophy / Aesthetics
|
653 |
|
|
|a Philosophy / Eastern Philosophy
|
653 |
|
|
|a Fate and fatalism in literature
|
653 |
|
|
|a Philosophie / Ästhetik
|
700 |
1 |
|
|a Chardonnens, Nikola
|e [Hrsg.]
|
041 |
0 |
7 |
|a eng
|2 ISO 639-2
|
989 |
|
|
|b GRUYMPG
|a DeGruyter MPG Collection
|
490 |
0 |
|
|a Chinese-Western Discourse 1 / Chinese-Western Discourse
|
028 |
5 |
0 |
|a 10.1515/9783110351873
|
776 |
|
|
|z 978-3-11-035187-3
|
856 |
4 |
0 |
|u https://www.degruyter.com/doi/book/10.1515/9783110351873
|x Verlag
|3 Volltext
|
082 |
0 |
|
|a 895.1352
|
520 |
3 |
|
|a Like artists, important writers defy unequivocal interpretations. Gao Xingjian, winner of the Nobel Prize in literature, is a cosmopolitan writer, deeply rooted in the Chinese past while influenced by paragons of Western Modernity. The present volume is less interested in a general discussion on the multitude of aspects in Gao's works and even less in controversies concerning their aesthetic value than in obtaining a response to the crucial issues of freedom and fate from a clearly defined angle. The very nature of the answer to the question of freedom and fate within Gao Xingjian's works can be called a polyphonic one: thereare affirmative as well as skeptical voices. But polyphony, as embodied by Gao, is an even more multifaceted phenomenon. Most important for our contention is the fact that Gao Xingjian's aesthetic experience embodies prose, theater, painting, and film. Taken together, they form a Gesamtkunstwerk whose diversity of voices characterizes every single one of them.
|