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|a 9789811316135
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| 100 |
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|a Street, Seán
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| 245 |
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|a Sound at the Edge of Perception
|h Elektronische Ressource
|b The Aural Minutiae of Sand and other Worldly Murmurings
|c by Seán Street
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| 250 |
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|a 1st ed. 2019
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| 260 |
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|a Singapore
|b Palgrave Pivot
|c 2019, 2019
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| 300 |
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|a XIII, 138 p
|b online resource
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| 505 |
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|a 1 Introduction: The Bell of Józef Czechowicz ¬– The Importance of Minute Sound Moments -- 2 The Notes of Human Music -- 3 Making the Moment Singable -- 4 Signals from Near and Far Shores – Voices from the Natural World -- 5 Speak My Name – the Ownership of Syllables -- 6 First and Last Sounds – Messages Beyond Language
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| 653 |
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|a Science / Social aspects
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| 653 |
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|a Science and Technology Studies
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| 653 |
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|a Music
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| 041 |
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7 |
|a eng
|2 ISO 639-2
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| 989 |
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|b Springer
|a Springer eBooks 2005-
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| 490 |
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|a Palgrave Studies in Sound
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| 028 |
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|a 10.1007/978-981-13-1613-5
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| 856 |
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|u https://doi.org/10.1007/978-981-13-1613-5?nosfx=y
|x Verlag
|3 Volltext
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| 082 |
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|a 303.483
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| 520 |
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|a This book is about the tiny sounds of the world, and listening to them, the minute signals that are clues to who and where we are. A very small sound, given the context of its history, becomes hugely significant, and even an imagined sound in a picture becomes almost a voice. By speaking a name, we give a person back to the world, and a breath, a sigh, a laugh or a cry need no language. A phoneme is the start of all stories, and were we able to tune ourselves to the subtleties of the natural world, we might share the super-sensitivity of members of the bird and animal kingdom to sense the message in the apparent silence. Mind hears sound when it perceives an image; the book will appeal to sonic and radio practitioners, students of sound, those working in the visual arts, and creative writers
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