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02910nam a2200409 u 4500 |
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EBX01000000000000001006610 |
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180730 r ||| eng |
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|a 150172309X
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|z 0801480205
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|a 0801480205
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|z 9781501728013
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|a 9781501728013
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|a PR830.W6
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|a Lanser, Susan Sniader
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|a Fictions of authority
|h Elektronische Ressource
|b women writers and narrative voice
|c Susan Sniader Lanser
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| 260 |
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|a Ithaca
|b Cornell University Press
|c [1992], 1992
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| 300 |
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|a 1 online resource
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|a Includes bibliographical references and index
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|a Toward a feminist poetics of narrative voice -- The rise of the novel, the fall of the voice: Juliette Catesby's silencing -- In a class by herself: self-silencing in Riccoboni's Abeille -- Sense and reticence: Jane Austen's "Indirections" -- Woman of Maxims: Geoge Eliot and the realist imperative -- Fictions of absence: feminism, modernism, Virginia Woolf -- Unspeakable voice: Toni Morrison's postmodern authority -- Dying for publicity: Mistriss Henley's self-silencing -- Romantic voice: the hero's text -- Jane Eyre's legacy: the powers and dangers of singularity -- African-American personal voice: "her hungriest lack" -- Solidarity and silence: Millenium Hall and The wrongs of woman -- Single resistances: the communal "I" in Gaskell, Jewett, and Audoux -- (Dif)fusions: modern fiction and communal form -- Full circle: Les Guerilleres
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|a USA
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|a Frauenliteratur
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|a LITERARY CRITICISM / Feminist
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|a Narration (Rhetoric)
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|a Women and literature
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|a Erzähler
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|a eng
|2 ISO 639-2
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| 989 |
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|b ZDB-39-JOA
|a JSTOR Open Access Books
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| 500 |
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002
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| 776 |
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|z 1501723081
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|z 9781501723094
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|z 9781501723087
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| 856 |
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|u https://www.jstor.org/stable/10.7591/j.ctt207g6vm
|x Verlag
|3 Volltext
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|a 823.009/9287
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| 520 |
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|a Drawing on narratological and feminist theory, Susan Sniader Lanser explores patterns of narration in a wide range of novels by women of England, France, and the United States from the 1740s to the present. She sheds light on the history of "voice" as a narrative strategy and as a means of attaining social power. She considers the dynamics in personal voice in authors such as Mary Shelley, Charlotte Brontë, Zora Neale Hurston, and Jamaica Kincaid. In writers who attempt a "communal voice"--Including Mary Wollstonecraft, Elizabeth Gaskell, Joan Chase, and Monique Wittig--she finds innovative strategies that challenge the conventions of Western narrative
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