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161125 ||| eng |
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|a 9781137110749
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| 100 |
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|a Flisfeder, Matthew
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| 245 |
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|a The Symbolic, the Sublime, and Slavoj Žižek’s Theory of Film
|h Elektronische Ressource
|c by Matthew Flisfeder
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| 260 |
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|a New York
|b Palgrave Macmillan US
|c 2012, 2012
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| 300 |
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|a 208 p
|b online resource
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| 653 |
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|a Film and Television Studies
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| 653 |
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|a Cultural and Media Studies
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| 653 |
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|a Motion pictures and television
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| 653 |
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|a Motion pictures / History
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| 653 |
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|a Culture / Study and teaching
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| 653 |
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|a Film History
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| 041 |
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7 |
|a eng
|2 ISO 639-2
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| 989 |
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|b Springer
|a Springer eBooks 2005-
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| 856 |
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|u http://dx.doi.org/10.1057/9781137110749?nosfx=y
|x Verlag
|3 Volltext
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| 082 |
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|a 791.4309
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| 520 |
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|a Returning to questions about ideology and subjectivity, Flisfeder argues that Slavoj Žižek's theory of film aims to re-politicize film studies and film theory, bringing cinema into the fold of twenty-first century politics
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