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161125 ||| eng |
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|a 9781137031631
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|a Zeng, Hong
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| 245 |
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|a Semiotics of Exile in Contemporary Chinese Film
|h Elektronische Ressource
|c by Hong Zeng
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| 260 |
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|a New York
|b Palgrave Macmillan US
|c 2012, 2012
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| 300 |
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|a 186 p
|b online resource
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| 653 |
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|a Film and Television Studies
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| 653 |
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|a Regional and Cultural Studies
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| 653 |
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|a Ethnology / Asia
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| 653 |
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|a Cultural and Media Studies
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| 653 |
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|a Motion pictures and television
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| 653 |
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|a Motion pictures / Production and direction
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| 653 |
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|a Motion pictures / History
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| 653 |
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|a Culture / Study and teaching
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| 653 |
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|a Asian Culture
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| 653 |
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|a Semiotics
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| 653 |
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|a Directing
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| 653 |
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|a Film History
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| 041 |
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|a eng
|2 ISO 639-2
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| 989 |
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|b Springer
|a Springer eBooks 2005-
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| 490 |
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|a Semiotics and Popular Culture
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| 856 |
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|u http://dx.doi.org/10.1057/9781137031631?nosfx=y
|x Verlag
|3 Volltext
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|a 791.4
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| 520 |
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|a Drawing on a variety of film semiotic theories, this book sheds light on works by mainland Chinese directors, Hong Kong New Wave directors, Taiwan New Cinema directors, and overseas Chinese directors. Zeng examines the cultural/historical implications of exile through the detailed analysis of film language and theoretical exploration
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