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161125 ||| eng |
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|a 9780230367708
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| 100 |
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|a Wilson, Emma
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| 245 |
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|a Love, Mortality and the Moving Image
|h Elektronische Ressource
|c by Emma Wilson
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| 260 |
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|a London
|b Palgrave Macmillan UK
|c 2012, 2012
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| 300 |
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|a X, 184 p
|b online resource
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| 653 |
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|a Film and Television Studies
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| 653 |
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|a Communication
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| 653 |
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|a Fine Arts
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| 653 |
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|a Cultural and Media Studies
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| 653 |
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|a Motion pictures and television
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| 653 |
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|a Motion pictures / Production and direction
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| 653 |
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|a Motion pictures / History
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| 653 |
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|a Culture / Study and teaching
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| 653 |
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|a Media Studies
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| 653 |
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|a Arts
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| 653 |
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|a Directing
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| 653 |
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|a Fine arts
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| 653 |
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|a Film History
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| 041 |
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|a eng
|2 ISO 639-2
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| 989 |
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|b Springer
|a Springer eBooks 2005-
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| 856 |
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|u http://dx.doi.org/10.1057/9780230367708?nosfx=y
|x Verlag
|3 Volltext
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|a 700
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| 520 |
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|a In their use of home movies, collages of photographs and live footage, moving image artists explore the wish to see dead loved ones living. This study closely explores emotions and sensations surrounding mortality and longing, with new readings of works by Agnès Varda, Pedro Almodóvar, Ingmar Bergman, Sophie Calle, and many others
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