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161125 ||| eng |
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|a 9780230348158
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| 100 |
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|a Batty, Craig
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| 245 |
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|a Movies That Move Us
|h Elektronische Ressource
|b Screenwriting and the Power of the Protagonist’s Journey
|c by Craig Batty
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| 260 |
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|a London
|b Palgrave Macmillan UK
|c 2011, 2011
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| 300 |
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|a VII, 209 p
|b online resource
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| 653 |
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|a Film and Television Studies
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| 653 |
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|a Regional and Cultural Studies
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| 653 |
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|a American Cinema
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| 653 |
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|a Motion pictures / United States
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| 653 |
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|a Cultural and Media Studies
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| 653 |
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|a Motion pictures and television
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| 653 |
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|a Genre
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| 653 |
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|a Motion pictures / History
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| 653 |
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|a Culture / Study and teaching
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| 653 |
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|a Film genres
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| 653 |
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|a Screenwriting
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| 653 |
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|a Film History
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| 653 |
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|a Motion picture authorship
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| 041 |
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|a eng
|2 ISO 639-2
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| 989 |
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|b Springer
|a Springer eBooks 2005-
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| 856 |
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|u http://dx.doi.org/10.1057/9780230348158?nosfx=y
|x Verlag
|3 Volltext
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|a 791.4309
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| 520 |
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|a From a screenwriting perspective, Batty explores the idea that the protagonist's journey is comprised of two individual yet interwoven threads: the physical journey and the emotional journey. His analysis includes detailed case studies of the films Muriel's Wedding , Little Voice , Cars , Forgetting Sarah Marshall , Sunshine Cleaning and Up
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