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180413 ||| eng |
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|a 9780199851812
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|a 0199851816
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4 |
|a E185.625
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|a Iton, Richard
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|a In search of the Black fantastic
|h Elektronische Ressource
|b politics and popular culture in the post-Civil Rights era
|c Richard Iton
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|a New York
|b Oxford University Press
|c 2008, c2008
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|a 424 p.
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|a Includes bibliographical references and index
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|a United States / Race relations / Political aspects
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|a African Americans / Politics and government / 20th century
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| 653 |
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|a African Americans / Politics and government / 21st century
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| 653 |
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|a African Americans in popular culture
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| 653 |
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|a Popular culture / Political aspects / United States
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| 653 |
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|a African Americans / Race identity / Political aspects
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| 653 |
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|a African Americans / Intellectual life
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| 653 |
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|a Political culture / United States
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|a eng
|2 ISO 639-2
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| 989 |
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|b OUP
|a Oxford University Press
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|a Transgressing boundaries / Transgressing boundaries
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|u http://dx.doi.org/10.1093/acprof:oso/9780195178463.001.0001?nosfx=y
|x Verlag
|3 Volltext
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|a 323.1'196073'0904
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|a Prior to the 1960s, when African Americans had little access to formal political power, black popular culture was commonly seen as a means of forging community and effecting political change. But as Richard Iton shows, despite the changes politics, black artists have continued to play a significant role in the making of critical social spaces
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