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140122 ||| eng |
| 020 |
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|a 9781402026430
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| 100 |
1 |
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|a Tymieniecka, Anna-Teresa
|e [editor]
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| 245 |
0 |
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|a Metamorphosis
|h Elektronische Ressource
|b Creative Imagination in Fine Arts Between Life-Projects and Human Aesthetic Aspirations
|c edited by Anna-Teresa Tymieniecka
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| 250 |
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|a 1st ed. 2004
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| 260 |
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|a Dordrecht
|b Springer Netherlands
|c 2004, 2004
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| 300 |
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|a XVI, 428 p
|b online resource
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| 505 |
0 |
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|a “Everything Flows”: The Poetics of Transformation -- Rustic Architecture: The Metamorphosis of Nature and Architecture in Eighteenth-Century Britain -- “Mystic Physicality” in the Work of Luis Barragan. Poetic Dislocation at La Casa Gilardi -- Saint-Amant, Holland House, and the Queen of England -- Defining Boundaries in Theatrical and Ceremonial Space in the Middle Ages -- Life and Human Struggle in Moby Dick -- Fiery Purification: Artaud’s Theater of Metamorphoses -- Bel Esprit. An Assay in Depth-aesthetics -- Fly Thought on Golden Wings: The Transforming Power of Music in Verdi’s Nabucco -- Challenge to a National School at Risk: Mikel Dufrenne’s The Phenomenology of Aesthetic Experience (1953) -- Painterly Transubstantiations/Political Change -- Fugitive Realities: Konrad Fiedler -- The Primacy of Gesture: Phenomenology and the Art of Chinese Calligraphy -- Gestural Abstraction and the Fleshiness of Paint --
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| 505 |
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|a Flesh of the World: The Art and Practice of Dunya McPherson -- The Genesis of Clay Figurative Sculpture in California, 1955–1974: Potter and Pot, and Intersubjective Encounter in the Work of Peter Voulkos -- Between Canvas and Celluloid -- A Sense of Direction: The Phenomenon of the Authentic Artistic Choice -- The Image made Flesh: A Photographic Re-reading of the Pygmalion Myth -- Perception, Phenomenology and the Object as Actor: The Evidence of Form in Redmoon Theater’s Hunchback -- Playing with the Void: Dance Macabre of Object and Subject in the Bio-objects of Kantor’s Theater of Death -- St. Francis’s Canticle of the Creatures: The Metamorphic Effect of Poverty on Writing Poetry -- The Dance of the Angels, the Mysteries of Pseudo-Dionysius and the Architecture of Gothic Cathedrals -- A Portrait of the Artist as a Sophist—Plato and Iris Murdoch’s Art ofFiction --
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|a Interpreting Stevenson’s Strange Case of Dr. Jekyll and Mr. Hyde on the Basis of Tymieniecka’s Sociocommunal Psychiatric Theraputics -- The Restitution of the Terrestrial Iconography of St. Francis in the Post-Trent Era: Annibale Carracci’s St. Francis in Penitence -- The Dream of Ascent and the Noise of Earth: Paradoxical Inclinations in Euripides’ Bacchae, Shakespeare’s The Tempest, and Stevens’ “Of Modern Poetry” -- Index of Names
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| 653 |
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|a Metaphysics
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| 653 |
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|a Philosophy, Modern
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| 653 |
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|a Early Modern Philosophy
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| 653 |
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|a Philosophy
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| 653 |
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|a Phenomenology
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| 653 |
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|a Aesthetics
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| 653 |
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|a Phenomenology
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| 041 |
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7 |
|a eng
|2 ISO 639-2
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| 989 |
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|b SBA
|a Springer Book Archives -2004
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| 490 |
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|a Analecta Husserliana, The Yearbook of Phenomenological Research
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| 028 |
5 |
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|a 10.1007/978-1-4020-2643-0
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| 856 |
4 |
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|u https://doi.org/10.1007/978-1-4020-2643-0?nosfx=y
|x Verlag
|3 Volltext
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| 082 |
0 |
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|a 111.85
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