Metamorphosis Creative Imagination in Fine Arts Between Life-Projects and Human Aesthetic Aspirations

Bibliographic Details
Other Authors: Tymieniecka, Anna-Teresa (Editor)
Format: eBook
Published: Dordrecht Springer Netherlands 2004, 2004
Edition:1st ed. 2004
Series:Analecta Husserliana, The Yearbook of Phenomenological Research
Online Access:
Collection: Springer Book Archives -2004 - Collection details see MPG.ReNa
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245 0 0 |a Metamorphosis  |h Elektronische Ressource  |b Creative Imagination in Fine Arts Between Life-Projects and Human Aesthetic Aspirations  |c edited by Anna-Teresa Tymieniecka 
250 |a 1st ed. 2004 
260 |a Dordrecht  |b Springer Netherlands  |c 2004, 2004 
300 |a XVI, 428 p  |b online resource 
505 0 |a “Everything Flows”: The Poetics of Transformation -- Rustic Architecture: The Metamorphosis of Nature and Architecture in Eighteenth-Century Britain -- “Mystic Physicality” in the Work of Luis Barragan. Poetic Dislocation at La Casa Gilardi -- Saint-Amant, Holland House, and the Queen of England -- Defining Boundaries in Theatrical and Ceremonial Space in the Middle Ages -- Life and Human Struggle in Moby Dick -- Fiery Purification: Artaud’s Theater of Metamorphoses -- Bel Esprit. An Assay in Depth-aesthetics -- Fly Thought on Golden Wings: The Transforming Power of Music in Verdi’s Nabucco -- Challenge to a National School at Risk: Mikel Dufrenne’s The Phenomenology of Aesthetic Experience (1953) -- Painterly Transubstantiations/Political Change -- Fugitive Realities: Konrad Fiedler -- The Primacy of Gesture: Phenomenology and the Art of Chinese Calligraphy -- Gestural Abstraction and the Fleshiness of Paint --  
505 0 |a Flesh of the World: The Art and Practice of Dunya McPherson -- The Genesis of Clay Figurative Sculpture in California, 1955–1974: Potter and Pot, and Intersubjective Encounter in the Work of Peter Voulkos -- Between Canvas and Celluloid -- A Sense of Direction: The Phenomenon of the Authentic Artistic Choice -- The Image made Flesh: A Photographic Re-reading of the Pygmalion Myth -- Perception, Phenomenology and the Object as Actor: The Evidence of Form in Redmoon Theater’s Hunchback -- Playing with the Void: Dance Macabre of Object and Subject in the Bio-objects of Kantor’s Theater of Death -- St. Francis’s Canticle of the Creatures: The Metamorphic Effect of Poverty on Writing Poetry -- The Dance of the Angels, the Mysteries of Pseudo-Dionysius and the Architecture of Gothic Cathedrals -- A Portrait of the Artist as a Sophist—Plato and Iris Murdoch’s Art ofFiction --  
505 0 |a Interpreting Stevenson’s Strange Case of Dr. Jekyll and Mr. Hyde on the Basis of Tymieniecka’s Sociocommunal Psychiatric Theraputics -- The Restitution of the Terrestrial Iconography of St. Francis in the Post-Trent Era: Annibale Carracci’s St. Francis in Penitence -- The Dream of Ascent and the Noise of Earth: Paradoxical Inclinations in Euripides’ Bacchae, Shakespeare’s The Tempest, and Stevens’ “Of Modern Poetry” -- Index of Names 
653 |a Metaphysics 
653 |a Philosophy, Modern 
653 |a Early Modern Philosophy 
653 |a Philosophy 
653 |a Phenomenology  
653 |a Aesthetics 
653 |a Phenomenology 
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989 |b SBA  |a Springer Book Archives -2004 
490 0 |a Analecta Husserliana, The Yearbook of Phenomenological Research 
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