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• The art of painting : after the Italian manner. With practical observations on the principal colours. And directions how to know a good picture. By John Elsum, Esq
  by: Elsum, John
  Published: (1703)
• A description of the celebrated pieces of paintings : of the most eminent masters ancient and modern, with reflections upon the several foreign-schools of painting. By John Elsum Esq
  by: Elsum, John
  Published: (1704)
• The art of drawing, and painting in water-colours : Whereby a stranger to those arts may be immediately rendered capable of delineating any view or prospect with the utmost exactness; of Colouring any Print or Drawing in the most Beautiful Manner; and of taking off Medals instantly, by various Ways, never before made publick: Intermix'd with several curious Receipts for the Use of Painters, Statuaries, Founders, &c. With instructions for making transparent colours of every Sort; partly from some Curious Personages in Holland, France, and Italy; but chiefly from a Manuscript of the Great Mr. Boyle; particularly a Receipt of that Gentleman's, for making a blue Colour equal to Ultramarine
  Published: (1735)
• The art of drawing, and painting in water-colours : Whereby a stranger to those arts may be immediately render'd capable of delineating any view or prospect with the utmost exactness; of Colouring any Print or Drawing in the most Beautiful Manner; and of taking off Medals instantly, by various Ways, never before made publick: Intermix'd with several curious Receipts for the Use of Painters, Statuaries, Founders, &c. With instructions for making transparent colours of every Sort; partly from some Curious Personages in Holland, France and Italy; but chiefly from a Manuscript of the Great Mr. Boyle; particularly a Receipt of that Gentleman's, for making a Blue Colour equal to Ultramarine
  Published: (1732)
• The art of painting in oil : Rendered Familiar to Every Capacity. Extracted from the works of the most eminent masters of the Italian, Flemish, and English Schools. To which is prefixed, the method of mixing the colours to the various teints Used both for Portraits, Landscapes, &c. &c. &c. By the author of The art of drawing in perspective
  by: Author of The Art of drawing in Perspective
  Published: (1800)