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• The practice of perspective : or, an easy method of representing natural objects according to the rules of art. Applied and exemplified in all the Variety of Cases; as landskapes, gardens, buildings of divers kinds, their appendages, parts, and furniture. With rules for the proportion and positio of figures, both in Draught and Relievo. Also the Manner of conducting the Shadows, produced either by natural or artificial Luminaries; and Practical Methods of Drawing after Nature, when the Process of Rules are not understood. A work highly necessary for painters, Engravers, Architects, Embroiderers, Statuaries, Jewellers, Tapestry-Workers, And others concerned in Designing. The whole illustrated with one hundred and fifty copper-plates. Written in French by a Jesuit of Paris. Translated by E. Chambers, Author of Cyclopaedia, or, An Universal Dictionary of Arts and Sciences
  by: Dubreuil, Jean
  Published: (1765)
• Bowles's practice of perspective : or, an easy method of representing natural objects according to the rules of art. Applied and exemplified in all the Variety of Cases; as Landscapes, Gardens, Buildings of divers Kinds, their Appendages, Parts, and Furniture. With Rules for the Proportion and Position of Figures, both in Draught and Relievo. Also the Manner of conducting the Shadows, produced either by Natural or Artificial Luminaries; and Practical Methods of Drawing after Nature, when the Process of Rules are not understood. A work highly necessary for painters, Engravers, Architects, Embroiderers, Statuaries, Jewellers, Tapestry-Workers, and others concerned in designing. The whole illustrated with one hundred and fifty copper-plates. Written in French by a Jesuit of Paris. Translated by E. Chambers, Author of Cyclopaedia; or, An Universal Dictionary of Arts and Sciences
  by: Dubreuil, Jean
  Published: (1782)
• The practice of perspective : on the principles of Dr. Brook Taylor: in a series of examples, from the most simple, and easy, to the most complicated, and difficult cases. In the course of which, his method is compared with those of some, of the most celebrated writers, before him, on the subject. Written many years since, but now first published, by Joseph Highmore
  by: Highmore, Joseph
  Published: (1763)
• The practice of perspective : or, an easy method of representing natural objects according to the rules of art. Applied and exemplified in all the Variety of Cases; as landskips, gardens, buildings, of divers kinds, their appendages, parts, furniture, &c. With rules for the proportions, positions &c. With rules for the Proportions, Positions, &c. figures, both in Draught and Relievo. Also the Manner of conducting the Shadows by divers Luminaries; and Practical Methods of Designing truly, without understanding any Rules at all. A work highly necessary for painters, Engravers, Architects, Embroiderers, Statuaries, Jewellers, Tapestry-Workers, Tapestry-Workers, And others concerned in Designing. The whole illustrated with one hundred and fifty copper-plates. Written in French by a Jesuit of Paris; since translated into German, by Ch. Rembold and into English, by Rob. Pricke, And now, a second time, into the same Language, by E. Chambers, F.R.S. To which is prefixed The theory of perspective, in which the Reasons and Grounds of the several Methods made use of in the Practice are shewed and demonstrated, by James Hodgson, Fellow of the Royal Society, and Master of the Royal Mathematical School in Christ Hospital
  by: Dubreuil, Jean
  Published: (1743)
• The practice of perspective : or, an easy method of representing natural objects according to the rules of art. Applied and Exemplified in all the Variety of Cases; as Landskips, Gardens, Buildings of divers Kinds, their Appendages, Parts, Furniture, &c. With Rules for the Proportions, Positions, &c. Figures, both in Draught and Relievo. Also the Manner of conducting the Shadows by divers Luminaries; and Practical Methods of Designing truly, without understanding any Rules at all. A Work highly necessary for Painters, Engravers, Architects, Embroiderers, Statuaries, Jewellers, Tapestry-Workers, And others concerned in Designing. The Whole illustrated with one hundred and fifty copper-plates. Written in French by a Jesuit of Paris ; since translated into German, by Ch. Rembold and into English, by Rob. Pricke. And now, a second time, into the same language, by E. Chambers, F.R.S. The third edition. To which is prefixed The theory of perspective, in which the Reasons and Grounds of the several Methods made use of in the Practice are shewn and demonstrated, by James Hodgson, Fellow of the Royal Society, and Master of the Royal Mathematical School in Christ Hospital
  by: Dubreuil, Jean
  Published: (1739)