Women through the lens gender and nation in a century of Chinese cinema

Bibliographic Details
Main Author: Cui, Shuqin
Format: eBook
Language:English
Published: Honolulu University of Hawaiʿi Press 2003
Subjects:
Online Access:
Collection: Netlibrary - Collection details see MPG.ReNa
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100 1 |a Cui, Shuqin 
245 0 0 |a Women through the lens  |h Elektronische Ressource  |b gender and nation in a century of Chinese cinema  |c Shuqin Cui 
260 |a Honolulu  |b University of Hawaiʿi Press  |c 2003 
300 |a xxvi, 304 p.  |b ill 
505 0 |a the (im)possible engagement between feminism and postmodernism in Stanley Kwan's Center stage -- Part II. Socialist cinema. Constructing and consuming the revolutionary narratives ; Gender politics and socialist discourse in Xie Jin's The red detachment of women -- Part III. The new wave. Screening China: national allegories and international receptions ; The search for male masculinity and sexuality in Zhang Yimou's Ju dou ; Subjected body and gendered identity: female impersonation in Chen Kaige's Farewell my concubine -- Part IV. Women's films. Feminism with Chinese characteristics? ; Desire in difference: female voice and point of view in Hu Mei's Army nurse ; Transgender masquerading in Huang Shuqin's Human, woman, demon 
653 |a Electronic books. 
041 0 7 |a eng  |2 ISO 639-2 
989 |b ZDB-1-NEL  |a Netlibrary 
500 |a Includes bibliographical references (p. [287]-297) and index. - Filmography: p. [249]-267 
856 4 0 |u http://www.netLibrary.com/urlapi.asp?action=summary&v=1&bookid=100389  |x Aggregator  |3 Volltext 
650 4 |a Sex role in motion pictures. 
650 4 |a Motion pictures 
650 4 |a Women in motion pictures.