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|a 0-585-47914-3
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050 |
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4 |
|a PN1993.5.C4
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100 |
1 |
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|a Cui, Shuqin
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245 |
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|a Women through the lens
|h Elektronische Ressource
|b gender and nation in a century of Chinese cinema
|c Shuqin Cui
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260 |
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|a Honolulu
|b University of Hawaiʿi Press
|c 2003
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300 |
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|a xxvi, 304 p.
|b ill
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505 |
0 |
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|a the (im)possible engagement between feminism and postmodernism in Stanley Kwan's Center stage -- Part II. Socialist cinema. Constructing and consuming the revolutionary narratives ; Gender politics and socialist discourse in Xie Jin's The red detachment of women -- Part III. The new wave. Screening China: national allegories and international receptions ; The search for male masculinity and sexuality in Zhang Yimou's Ju dou ; Subjected body and gendered identity: female impersonation in Chen Kaige's Farewell my concubine -- Part IV. Women's films. Feminism with Chinese characteristics? ; Desire in difference: female voice and point of view in Hu Mei's Army nurse ; Transgender masquerading in Huang Shuqin's Human, woman, demon
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653 |
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|a Electronic books.
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041 |
0 |
7 |
|a eng
|2 ISO 639-2
|
989 |
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|b ZDB-1-NEL
|a Netlibrary
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500 |
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|a Includes bibliographical references (p. [287]-297) and index. - Filmography: p. [249]-267
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856 |
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|u http://www.netLibrary.com/urlapi.asp?action=summary&v=1&bookid=100389
|x Aggregator
|3 Volltext
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650 |
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4 |
|a Sex role in motion pictures.
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650 |
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4 |
|a Motion pictures
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650 |
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4 |
|a Women in motion pictures.
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