1 Table of Contents: “...>Caligari</cite> and the Crisis of Historicism Heide Schlüpmann: The Discovery of Early Cinema: The Moment...”

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3 “...New historical perspectives...”

4 “... displays were central to television's social construction; for the historian, the exhibitions therefore...”

5 “... was practiced and understood in the US during the 1910s, historian Gregory A. Waller charts a heterogeneous...”

6 “... American movies, and more titles on the National Historic Register of classic films deemed worthy...”

7 Table of Contents: “.... No Longer Cinema, No Longer Television: The Beginning of a New Historical and Cultural Form...”

8 Table of Contents: “.... Passive Preservation: An Historical Overview; 5. Impressions: Restoration of the Film Image; 6...”

9 Table of Contents: “... "history" on television: "emperor dramas," national identity, and the question of historical consciousness...”

10 Table of Contents: “...Introduction: avant-garde culture and technological transformations -- Reframing the historical...”

11 Table of Contents: “... in Amber: The Uncanny Child in Spanish Horror Film; 3. The Child and Spanish Historical Trauma; 4...”

12 Table of Contents: “...-2014 / Antje Ehmann -- Attitudes towards work : on the historical metamorphoses of psychotechnology...”

13 “... offers much of interest to film historians and readers interested in the Holocaust.--...”

14 “... to this collection consider the reasons for this marginalization while also bringing attention to key historical...”

15 “... that connect cinema to what it cannot fully represent. The result is a new way of historicizing the cinema...”

16 “...Visions of Electric Media is an historical examination into the early history of television...”

17 “... of archival material she raises new questions of historiography and provides a model for historical analysis...”

18 “..., mathematical logic, and rational distance. In giving a new historical perspective on the Baroque as a...”

19 “..., neo-formalism, historical reception studies and the phenomenology of film. 'Spaces of Communication...”

20 “... to historical and political reality; and 'total cinema', or films moved by a totalising impulse, be it towards...”