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3 “..."This book is a must read for newcomers and experienced composers wanting to learn more about...”

4 Table of Contents: “...Basic concepts for the MIDI composer, arranger, and orchestrator -- Writing and sequencing...”

5 “... for composing music and creating sound effects on various gaming platforms and systems. Technical considerations...”

6 “...Learn from a seasoned Hollywood film composer the intricacies of synchronizing music to picture...”

7 Table of Contents: “... Composing with the Piano Roll Routing to the Mixer and Applying Automation Sound Design and Audio Envelopes...”

8 “..."This book is for musicians and programmers who want to take their music composing skills to a...”

9 “...Cambridge composer studies...”

10 “...In Composition and Cognition, renowned composer and theorist Fred Lerdahl builds on his careerlong...”

11 “... composer Hans Zender, in his A Road Map for Orpheus?, states that a composer must be capable of questioning...”

12 “...Distinguished music theorist and composer David Lewin (1933-2003) applies the conceptual framework...”

13 Table of Contents: “... -- Mixing and processing -- Final mix considerations -- Producing music for media -- The client/composer...”

14 Table of Contents: “..., and pops: sound design in games -- Compose yourself!: the art of composing for games -- Do you hear...”

15 Table of Contents: “... and techniques -- MIDI and composing in the digital age -- Introducing MIDI 2.0 -- Chiptunes -- Audio solutions...”

16 Table of Contents: “... Musicals and On-Camera Songs; Chapter 7 Working with a Composer; Chapter 8 Working with a Picture Editor...”

17 Table of Contents: “... Editors; ADR and Looping; Foley; Nonlinear; The Music Composer; The Re-Recording Stage; Emerging...”

18 “... or composer and want to do more than just create audio elements and hand them over to someone else...”

19 “... composers, sound designers, voice-over actors and other industry professionals, Internet articles, fan sites...”

20 “... enables the audio content provider (composer/sound designer) to maintain direct control over...”