1 “...Belinda Smaill proposes an original approach to documentary studies, examining how emotions...”

2 “...Documentary Culture & the Laity in the Early Middle Ages...”

3 Subjects: “...Documentary...”

4 Table of Contents: “... of exception" : the paradox of virtual documentary representation -- Technology, transparency and the digital...”

5

6 Subjects: “...documentary photography / aat...”

7 Table of Contents: “...Wenden in den einzelnen Disziplinen -- Der documentary turn -- Wenden als interdisziplinäres...”

8 Table of Contents: “... -- Showing the invisible in the sociological documentary -- Conclusion...”

9 Table of Contents: “...Ethical issues and analytical procedures -- Visual reporting -- Documentary and advocacy -- Citizen...”

10 Table of Contents: “... image -- 4. Post-production -- 5. Photo-elicitation -- 6. The documentary photograph -- 7. Photography...”

11 Table of Contents: “... -- Broadcast fiction: Heroes -- Documentary and its hybrid forms -- Lifestyle magazines and television -- New...”

12 “...What are the political and aesthetic dimensions of video art, documentary, and global cinema...”

13 “... fuego (2018). Next, the book discusses the female body as uncanny absence in Tatiana Huezo’s documentary...”

14 “...How to study a media object on the web that is at the same time a documentary, a reportage, and a...”

15 “... proposal for transmedia experimentation unfolded in a documentary, a webseries and an e-book. The project...”

16 Table of Contents: “... -- Convergence of journalism and documentary / Lonnie Isabel -- F-stop : power differentials / Tami Gold...”

17 Table of Contents: “... and Narrative. Aural Energies in Rimini Protokoll's Call Cutta: Sound, Documentary, Performance...”

18 Table of Contents: “... documentary film 'Bear Witness'? Some reflections on the difference between discursive and existential truth...”

19 “... Buddhism, Thai culture, and other enabling environmental factors. The contributors focus on documentary...”

20 Table of Contents: “.... Cameras, Pencils, Traumas: Drawn Images in and as Documentary Practice -- Part III Fact and Fake across...”