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230918 ||| eng |
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4 |
|a HN520.Z9
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| 100 |
1 |
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|a Korsten, Frans-Willem
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| 245 |
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|a Marketing violence
|b the affective economy of violent imageries in the Dutch Republic
|c Frans-Willem Korsten, Inger Leemans, Cornelis van der Haven, Karel Vanhaesebrouck
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| 260 |
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|a Cambridge
|b Cambridge University Press
|c 2023
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| 300 |
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|a 104 pages
|b illustrations (black and white, and colour), maps (black and white), digital
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| 505 |
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|a Includes bibliographical references
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| 651 |
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4 |
|a Netherlands / History / 17th century
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| 653 |
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|a Violence / Economic aspects / Netherlands
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| 653 |
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|a Violence in art / Economic aspects
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| 653 |
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|a Art / Netherlands / History / 17th century
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| 653 |
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|a Art / Economic aspects / Netherlands
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| 700 |
1 |
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|a Leemans, Inger
|e [author]
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| 700 |
1 |
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|a Haven, Kornee van der
|e [author]
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| 700 |
1 |
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|a Vanhaesebrouck, Karel
|e [author]
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| 041 |
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7 |
|a eng
|2 ISO 639-2
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| 989 |
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|b CBO
|a Cambridge Books Online
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| 490 |
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|a Cambridge elements. Elements in histories of emotions and the senses
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| 024 |
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|a 10.1017/9781009246446
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| 856 |
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|u https://doi.org/10.1017/9781009246446
|x Verlag
|3 Volltext
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| 082 |
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|a 303.60949209032
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| 520 |
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|a This volume describes the development of an affective economy of violence in the early modern Dutch Republic through the circulation of images. It outlines that while violence became more controlled in the course of the 17th century, with fewer public executions for instance, the realm of cultural representation was filled with violent imagery: from prints, atlases and paintings, through theatres and public spectacles, to peep boxes. It shows how emotions were evoked, exploited, and controlled in this affective economy of violence based on desires, interests and exploitation
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