1 “...The Metamorphoses of Commedia dell’Arte traces the steps by which Commedia has been transformed...”

2 Subjects: “...Commedia dell'arte...”

3 “..., Stegreifspiel und das Selbstverständnis als Berufskomiker verbinden die Marxens mit der Commedia dell’arte, dem...”

4 Table of Contents: “...: Jack Donaghy -- Dealbreakers: The commedia dell'arte by Tina Fey...”

5 Subjects: “...Commedia dell'arte / g:Motiv...”

6 “... nationalkulturellen Selbstbewusstseins. Die Commedia dell'arte, Werke von Shakespeare, Lope de Vega oder Molière...”

7 “... nationalkulturellen Selbstbewusstseins. Die Commedia dell'arte, Werke von Shakespeare, Lope de Vega oder Molière...”

8 “... of national self-esteem. The
Commedia dell’arte, works by Shakespeare, Lope de Vega or
Molière, became...”

9 “... it possible to observe the extraordinary versatility of the actors from the Commedia dell’Arte...”

10 “...Carlo Gozzi (1720–1806) erschuf mit dem Einsatz der Masken der commedia dell’arte in den...”

11 “..., the author reconstructs the traces of the Commedia dell'Arte and of the life and works of a handful...”

12 Table of Contents: “...Chapter 1: Introduction -- Chapter 2: Burattino, a Name and an Idea: From Commedia dell’Arte...”

13 “... traditions of the commedia dell'arte, narrators created a new form of popular theater that grew in prominence...”

14 “.... Drawing from traditions such as commedia dell arte, pantomime, Vaudeville, the circus, and silent...”

15 “... in early medieval Spain and Commedia dell'Arte to its many European variations and its transposition...”

16 “... tipos fixos da commedia dell´arte. Na segunda fase (1998-2001) - OUVIR, as personagens-tipo cedem o...”

17 “.... The masks of Oskar Schlemmer, of japanese No drama, and of the commedia dell'arte, the mythologies attendant...”

18 Table of Contents: “...The commedia dell'arte origins of biomechanics : actor training and collective creation...”

19 Table of Contents: “... dell’Arte and Theater; With Simone de Colle, Bidhan Parmar, and Leonardo de Colle -- PART IV. STAKEHOLDER...”