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|a 9789819774630
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|a Révész, Ágota
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|a Economy of Identities in Traditional Chinese Theatre
|h Elektronische Ressource
|c by Ágota Révész
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|a 1st ed. 2024
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|a Singapore
|b Palgrave Macmillan
|c 2024, 2024
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| 300 |
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|a XXXIII, 226 p. 1 illus
|b online resource
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|a Chapter 1: Xiqu and Cultural Identity -- Chapter 2: Mobility Dynamics -- Chapter 3: Narratives -- Chapter 4: The National Essence: Jingju -- Chapter 5: The Mother of All Xiqus: Kunqu
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| 653 |
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|a National and Regional Theatre and Performance
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|a Theatre Direction and Production
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|a Contemporary Theatre and Performance
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|a Theater / Production and direction
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| 653 |
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|a Cultural Studies
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|a Ethnology / Asia
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| 653 |
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|a Culture / Study and teaching
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| 653 |
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|a Theater
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|a Asian Culture
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|a Theater / History
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|a Culture
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|a eng
|2 ISO 639-2
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| 989 |
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|b Springer
|a Springer eBooks 2005-
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|a 10.1007/978-981-97-7463-0
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|u https://doi.org/10.1007/978-981-97-7463-0?nosfx=y
|x Verlag
|3 Volltext
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|a 306.095
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|a The book is intended to become a useful reference for theatre people who need “China knowledge”. Its central questions are: how is traditional Chinese theatre (“Chinese opera”, i.e. xiqu) embedded in contemporary Chinese society? What identities are created through theatre? And, most importantly: how are these identities related to one another to form a complex “economy of identities”? An insight is offered into the traditional Chinese theatre system composed of over three hundred theatre types vying for recognition in a complex relational network. Understanding how this “relationality” works might also shed light on the functioning of other fields in the current socio-cultural complex of China. Ágota RÉVÉSZ studied sinology and stage direction. She researches Chinese theatre, cultural diplomacy, narratives and media
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