Economy of Identities in Traditional Chinese Theatre

The book is intended to become a useful reference for theatre people who need “China knowledge”. Its central questions are: how is traditional Chinese theatre (“Chinese opera”, i.e. xiqu) embedded in contemporary Chinese society? What identities are created through theatre? And, most importantly: ho...

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Bibliographic Details
Main Author: Révész, Ágota
Format: eBook
Language:English
Published: Singapore Palgrave Macmillan 2024, 2024
Edition:1st ed. 2024
Subjects:
Online Access:
Collection: Springer eBooks 2005- - Collection details see MPG.ReNa
Description
Summary:The book is intended to become a useful reference for theatre people who need “China knowledge”. Its central questions are: how is traditional Chinese theatre (“Chinese opera”, i.e. xiqu) embedded in contemporary Chinese society? What identities are created through theatre? And, most importantly: how are these identities related to one another to form a complex “economy of identities”? An insight is offered into the traditional Chinese theatre system composed of over three hundred theatre types vying for recognition in a complex relational network. Understanding how this “relationality” works might also shed light on the functioning of other fields in the current socio-cultural complex of China. Ágota RÉVÉSZ studied sinology and stage direction. She researches Chinese theatre, cultural diplomacy, narratives and media
Physical Description:XXXIII, 226 p. 1 illus online resource
ISBN:9789819774630