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01361nmm a2200325 u 4500 |
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EB002209236 |
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EBX01000000000000001346437 |
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20251103000000.0 |
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240506 ||| eng |
| 020 |
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|a 9780262377034
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| 020 |
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|a 9780262377041
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| 050 |
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4 |
|a HM500
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| 100 |
1 |
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|a Kamin, Diana
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| 245 |
0 |
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|a Picture-work
|h Elektronische Ressource
|b how libraries, museums, and stock agencies launched a new image economy
|c Diana Kamin
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| 260 |
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|a Cambridge, Massachusetts
|b The MIT Press
|c 2023
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| 653 |
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|a Visual sociology
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| 653 |
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|a Visual communication
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| 653 |
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|a SOCIAL SCIENCE / Media Studies
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| 653 |
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|a ART / Museum Studies
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| 653 |
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|a LANGUAGE ARTS & DISCIPLINES / Library & Information Science / Digital & Online Resources
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| 653 |
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|a Signs and symbols
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| 041 |
0 |
7 |
|a eng
|2 ISO 639-2
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| 989 |
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|b MITArchiv
|a MIT Press eBook Archive
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| 490 |
0 |
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|a History and foundations of information science
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| 028 |
5 |
0 |
|a 10.7551/mitpress/14086.001.0001
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| 776 |
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|z 9780262547000
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| 856 |
4 |
0 |
|u https://doi.org/10.7551/mitpress/14086.001.0001?locatt=mode:legacy
|x Verlag
|3 Volltext
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| 082 |
0 |
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|a 302.23
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| 520 |
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|a "Argues that our contemporary treatment of the image as a circulating object was forged by three 20th century institutions: the museum, the library, and the stock photography agency"--
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