European Cinema in the Streaming Era Policy, Platforms, and Production

‘Timely and wide-ranging, this is a lucid and essential read. It offers a telling account of the far-reaching impacts of the global streaming revolution on all facets of today’s European film industries, as they transition from the recent sweeping changes to a still evolving future.’ Laura Rascaroli...

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Bibliographic Details
Other Authors: Meir, Christopher (Editor), Smits, Roderik (Editor)
Format: eBook
Language:English
Published: Cham Palgrave Macmillan 2024, 2024
Edition:1st ed. 2024
Series:Palgrave European Film and Media Studies
Subjects:
Online Access:
Collection: Springer eBooks 2005- - Collection details see MPG.ReNa
Table of Contents:
  • 6. Algorithm vs. Curation: The Logics of Recommendation and the Realities of Discoverability and Availability in the European VOD Experience Mattias Frey, University of Kent
  • 7.Researching Online Film Circulation: Netflix and Other SVOD platforms Roderik Smits, Universidad Carlos III de Madrid
  • 8.Researching Online Film Circulation: Netflix and Other SVOD platforms Roderik Smits, Universidad Carlos III de Madrid
  • Section III: SVOD-Financed European Production
  • 9. Producing Spanish Cinema (and Television) in the Streaming Era: Morena Films and the Global SVOD Platforms Christopher Meir, Universidad Carlos III de Madrid
  • 10.Transnational SVOD Production in the European Periphery Petr Szczepanik, Charles University in Prague
  • 11. Accidental Films Inside a Bigger Strategy: Investigating the Film CoProduction Agreement between Mediaset and Netflix Luca Barra (Università di Bologna) and Paolo Noto (Università di Bologna)
  • Section I: European Policy and Streaming Cinema
  • 1.Is the European Film Co-production as We know It in Peril?: The Cases for and against Article 13 of the Revised EU’s Audiovisual Media Service Directive (AVMSD) Petar Mitric, University of Copenhagen
  • 2. Integrating Global SVOD Platforms into the French Regulation System Ana Vinuela, Associate professor, Université Sorbonne Nouvelle
  • 3.New AVMSD, Old Purpose: EU Film Policy and the Portuguese Case Mariana Liz, University of Lisbon
  • 4.The Process of Becoming Non-European: The Online Distribution of UK Film in the EU Post-Brexit Virginia Crisp, King’s College, London Section II: SVOD platforms and the Circulation of European Films
  • 5. Researching Online Film Circulation: Netflix and Other SVOD platforms Roderik Smits, Universidad Carlos III de Madrid
  • 12.Particularising the Universal in Aléxandre Aja’s Oxygène Reece Goodall (University of Warwick) and Mary Harrod (University of Warwick)
  • 13.Undercovering. An Analysis of the Production and Textual Strategies of Local(ized) Transmedia Storytelling: The Case of Netflix’s Series Undercover and its Film Spin-Off Ferry Eduard Cuelenaere (University of Ghent) and Stijn Joye (University of Ghent)