|
|
|
|
| LEADER |
03306nmm a2200397 u 4500 |
| 001 |
EB002193566 |
| 003 |
EBX01000000000000001331031 |
| 005 |
00000000000000.0 |
| 007 |
cr||||||||||||||||||||| |
| 008 |
240202 ||| eng |
| 020 |
|
|
|a 9783031423277
|
| 100 |
1 |
|
|a Sherritt, Megan
|
| 245 |
0 |
0 |
|a Dancing an Embodied Sinthome
|h Elektronische Ressource
|b Beyond Phallic Jouissance
|c by Megan Sherritt
|
| 250 |
|
|
|a 1st ed. 2023
|
| 260 |
|
|
|a Cham
|b Palgrave Macmillan
|c 2023, 2023
|
| 300 |
|
|
|a X, 238 p
|b online resource
|
| 505 |
0 |
|
|a Chapter 1 -- Chapter 2 -- Chapter 3 -- Chapter 4 -- Chapter 5 -- Chapter 6 -- Chapter 7 -- Chapter 8 -- Chapter 9 -- Chapter 10 -- Chapter 11
|
| 653 |
|
|
|a Literature / Philosophy
|
| 653 |
|
|
|a Theatre and Performance Arts
|
| 653 |
|
|
|a Literary Theory
|
| 653 |
|
|
|a Performing arts
|
| 653 |
|
|
|a Psychoanalysis
|
| 653 |
|
|
|a Critical theory
|
| 653 |
|
|
|a Dance
|
| 653 |
|
|
|a Theater
|
| 653 |
|
|
|a Critical Theory
|
| 653 |
|
|
|a Aesthetics
|
| 041 |
0 |
7 |
|a eng
|2 ISO 639-2
|
| 989 |
|
|
|b Springer
|a Springer eBooks 2005-
|
| 490 |
0 |
|
|a The Palgrave Lacan Series
|
| 028 |
5 |
0 |
|a 10.1007/978-3-031-42327-7
|
| 856 |
4 |
0 |
|u https://doi.org/10.1007/978-3-031-42327-7?nosfx=y
|x Verlag
|3 Volltext
|
| 082 |
0 |
|
|a 150.195
|
| 520 |
|
|
|a Megan Sherritt completed her PhD at the Centre for the Study of Theory and Criticism at Western University, Canada, and is in training to become a psychoanalytic psychotherapist
|
| 520 |
|
|
|a The author contends that Joyce goes beyond words and meaning, using language’s metre, tone, rhythm, and cadence to play with the real, mirroring his experience of it and confining it to his works, creating order in the chaos of his mind. The art of dance is shown to be a process that likewise allows one to play with the real. However, it is emphasized that dance goes further: it also teaches someone how to play if one doesn't already know how. This book offers a compelling analysis that sheds new light on the fields of psychoanalysis and dance and looks to what this can tell us about—and the possibilities for—both practices, concluding that psychoanalysis and dance both offer processes that open possibilities that might otherwise seem impossible. This original analysis will be of particular interest to those working in the fields of psychoanalysis, aesthetics, psychoanalytic theory, critical theory, art therapy, and dance studies.
|
| 520 |
|
|
|a This book provides the first in-depth analysis of Lacanian psychoanalytic theory and the art of dance and explores what each practice can offer the other. It takes as its starting point Jacques Lacan’s assertion that James Joyce’s literary works helped him create what Lacan terms a sinthome, thereby preventing psychosis. That is, Joyce’s use of written language helped him maintain a “normal” existence despite showing tendencies towards psychosis. Here it is proposed that writing was only the method through which Joyce worked but that the key element in his sinthome was play, specifically the play of the Lacanian real. The book moves on to consider how dance operates similarly to Joyce’s writing and details the components of Joyce’s sinthome, not as a product that keeps him sane, but as an interminable process for coping with the (Lacanian) real.
|