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240104 ||| eng |
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|a 9783031406546
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| 100 |
1 |
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|a King, Alasdair
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| 245 |
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|a The Financial Image
|h Elektronische Ressource
|b Finance, Philosophy and Contemporary Film
|c by Alasdair King
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| 250 |
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|a 1st ed. 2024
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| 260 |
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|a Cham
|b Palgrave Macmillan
|c 2024, 2024
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| 300 |
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|a XII, 329 p
|b online resource
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| 505 |
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|a 1. Introduction -- 2. The Financial Gaze -- 3. Film and Financial Ethics -- 4. Film and Financial Time -- 5. Film and 6. Financial Space -- 7. Film and Financial Performance -- 8. Conclusion
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| 653 |
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|a Economic history
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| 653 |
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|a Literature, Modern / 20th century
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| 653 |
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|a Motion pictures / History
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| 653 |
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|a Economic History
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| 653 |
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|a Film and TV History
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| 653 |
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|a Contemporary Literature
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| 653 |
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|a Literature, Modern / 21st century
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| 041 |
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7 |
|a eng
|2 ISO 639-2
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| 989 |
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|b Springer
|a Springer eBooks 2005-
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| 490 |
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|a Palgrave Studies in Literature, Culture and Economics
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| 028 |
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|a 10.1007/978-3-031-40654-6
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| 856 |
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|u https://doi.org/10.1007/978-3-031-40654-6?nosfx=y
|x Verlag
|3 Volltext
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|a 809.05
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| 520 |
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|a The Financial Image: Finance, Philosophy, and Contemporary Film draws on a broad range of narrative feature films, documentaries, and moving image installations in the US, Europe, and Asia. Using frameworks from contemporary philosophy and critical finance studies, the book explores how contemporary cinema has registered recent financial and economic issues. The book focuses on how filmmakers have found formal means to explore, celebrate, and critique the increasingly important role that the financial sector plays in shaping global economic, political, ethical, and social life. Alasdair King is Reader in Film in the School of Languages, Linguistics, and Film at Queen Mary University of London, UK. He is the author of Hans Magnus Enzensberger: Writing, Media, Democracy (2007)
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