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231201 ||| eng |
| 020 |
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|a 978-1-4780-2205-3
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| 050 |
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4 |
|a N66
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1 |
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|a Gosse, Johanna
|e [Editor]
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| 245 |
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|a Nervous systems
|h Elektronische Ressource
|b art, systems, and politics since the 1960s
|c edited by Johanna Gosse and Timothy Stott
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| 260 |
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|a Durham ; London
|b Duke University Press
|c 2022, ©2022
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| 300 |
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|a viii, 289 pages
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|a After the Breakdown: Sixty Years of Systems Art -- Johanna Gosse and Timothy Stott -- Systems Aesthetics to Systems Politics -- Jack Burnham Redux: Reappraising Systems Aesthetics -- Luke Skrebowski -- The Artist as "Weatherman": Hans Haacke's Critical Meteorology -- John Tyson -- Desalineacion: Open Systems as Social Transformation in Tucuma̹n Arde -- Christine Filippone -- Nervous Interfaces -- The Irresolutions of Charles Gaines -- Kris Cohen -- Light and Space as Institutional Critique -- Dawna Schuld -- One among Many: Experiencing Complexity in Participatory Art Systems -- Cristina Albu -- The Contemporary Art World Described as a System -- Abstraction, Dispersion, Deflation, and Noise: Liam Gillick's Disappointing Systems -- Francis Halsall -- Aesthetic Action as Planetary Praxis: Mel Chin's The Arctic Is . . . -- Amanda Boetzkes -- Mapping, SEA STATE, and State Violence on the Shores of Singapore -- Brianne Cohen -- Toward Infrastructure Art: Containerization, Black Box Logistics, and New Distribution -- Complexes -- Jaimey Hamilton Faris
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| 653 |
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|a Systemdenken
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| 653 |
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|a Geschichte 1960-2020
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|a Ästhetik
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| 653 |
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|a Art--Philosophy
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| 653 |
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|a Aesthetics
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| 653 |
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|a Art, Modern--20th century
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| 653 |
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|a Art, Modern--20th century--Social aspects
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| 653 |
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|a Art, Modern--20th century--Political aspects
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| 653 |
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|a Art criticism
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| 700 |
1 |
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|a Stott, Tim
|e [Editor]
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| 041 |
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7 |
|a eng
|2 ISO 639-2
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| 989 |
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|b GRUYMPG
|a DeGruyter MPG Collection
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| 028 |
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|a 10.1515/9781478022053
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| 776 |
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|z 978-1-4780-1382-2
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| 776 |
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|z 978-1-4780-2205-3
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|u https://www.degruyter.com/document/doi/10.1515/9781478022053
|x Verlag
|3 Volltext
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|a 700.1
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| 520 |
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|a "The contributors to Nervous Systems reassess contemporary artists' and critics' engagement with social, political, biological, and other systems as a set of complex and relational parts: an approach commonly known as systems thinking. Demonstrating the continuing relevance of systems aesthetics within contemporary art, the contributors highlight the ways that artists adopt systems thinking to address political, social, and ecological anxieties. They cover a wide range of artists and topics, from the performances of the Argentinian collective the Rosario Group and the grid drawings of Charles Gaines to the video art of Singaporean artist Charles Lim and the mapping of global logistics infrastructures by contemporary artists like Hito Steyerl and Christoph Büchel. Together, the essays offer an expanded understanding of systems aesthetics in ways that affirm its importance beyond technological applications detached from cultural contexts"
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