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|a 9783031411113
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|a Wrethed, Joakim
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| 245 |
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|a Gothic Hauntology
|h Elektronische Ressource
|b Everyday Hauntings and Epistemological Desire
|c by Joakim Wrethed
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| 250 |
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|a 1st ed. 2023
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| 260 |
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|a Cham
|b Palgrave Macmillan
|c 2023, 2023
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| 300 |
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|a IX, 165 p
|b online resource
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|a 1.Introduction: “Avaunt! and quit my sight! let the earth hide thee!” Loss;Guilt;The Uncanny;Derridean Hauntology;Recent Hauntology Studies;Outline of the chapters -- 2. “Penelope was not a phantom”: Everyday Hauntology in Alice Munro and Margaret Atwood:Margaret Atwood, “Death by Landscape”Surfacing -- 3. “His eye spoke less than his lip”: Hauntology, Vampires and the Trace of the Animal in John Polidori’s The Vampyre, John Ajvide Lindqvist’s Let the Right One In, Octavia E. Butler’s Fledgling and Guillermo del Toro’s Cronos.;Let the Right One In;Fledgling;Cronos -- 4. “Nothing is but what is not”: Spectral Temporality and Hauntology in Selected Works by Edgar Allan Poe;“The Tell-Tale Heart”;“The Imp of the Perverse”;“The Black Cat”;“The Gold Bug" -- 5. “[T]he grey pool and its blank haunted edge”: The Hauntology of Indeterminacy in Henry James’s The Turn of the Screw -- 6. “Light is dark and dark is light”: H. P. Lovecraft and Hauntology as Epistemological Desire -- “The Lurking Fear”;“The Music of Erich Zann”;“The Haunter of the Dark”;The Believing Atheist -- 7. “What she had seen was final”: Everyday Hauntology, the Threat of Male Violence and the Power of Fiction in Alice Munro’s “Free Radicals”, “Runaway” and “Passion”;“Free Radicals”;“Runaway”;“Passion” -- 8. Concluding Remarks: “I can feel my lost child surfacing within me”
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| 653 |
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|a Goth culture (Subculture)
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| 653 |
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|a Gothic Studies
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| 041 |
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|a eng
|2 ISO 639-2
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| 989 |
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|b Springer
|a Springer eBooks 2005-
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| 490 |
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|a Palgrave Gothic
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| 028 |
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|a 10.1007/978-3-031-41111-3
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| 856 |
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|u https://doi.org/10.1007/978-3-031-41111-3?nosfx=y
|x Verlag
|3 Volltext
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|a 809.38729
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|a 306
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| 520 |
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|a This book provides a theoretically informed account of Gothic Hauntology. It is distinctive foremost in two ways. It shows hauntology at work in modern as well as older gothic narratives and it has a unique focus on everyday gothic as well as everyday hauntology. The chapters perform a historical circle going from Munro to Poe and then back again, offering novel readings of works by well-known authors that are contextualized under the umbrella of the theme. Anchored in a well-known topic and genre, but with a specific phenomenological framework, this book will be of interest to both students and more advanced scholars. Author Bio: Joakim Wrethed is Associate Professor at Stockholm University, Sweden. He has hitherto mainly worked in Irish Studies—especially on John Banville—but he has also published on the gothic genre
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