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230811 r ||| eng |
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|a ML1006
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|a Poulopoulos, Panagiotis
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245 |
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|a The Erard Grecian Harp in Regency England
|h Elektronische Ressource
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260 |
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|a Woodbridge
|b Boydell & Brewer, Incorporated
|c 2023, 2023
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300 |
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|a 319 pages
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|a The Erard Grecian Harp in Regency England -- Contents -- Illustrations -- Preface -- Acknowledgments -- Introduction -- 1 The Shift from the Single- to the Double-Action Harp: The Emergence of the Erard Grecian Model -- 2 The Design and Engineering of the Erard Grecian Harp: Influences from Industry and Business -- 3 The Decoration and Branding of the Erard Grecian Harp: Innovation, Adaptation and Substitution -- 4 Manufacturing the Erard Grecian Harp: Aspects of Organisation, Management and Operation -- 5 Marketing the Erard Grecian Harp
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|a 6 Erard and the Harp in Education, Art and Fashion: 'Evening Dress' for a Private Concert -- 7 Erard and the Harp's Literary Footprint: From Pride and Prejudice to War and Peace -- 8 The Erard Grecian Harp as an Artefact of Cultural Heritage: 'Self-destruction' and Resurrection -- Conclusions -- Appendix: List of Surviving Grecian Double-Action Harps Produced by Erard in London between 1811 -- Bibliography -- Index of Names -- Index of Places -- Index of Themes
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600 |
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|a Erard, Sébastien / 1752-1831 / fast
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|a Erard, Sébastien / 1752-1831 / https://isni.org/isni/0000000083781420
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651 |
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|a Great Britain / History / Regency, 1811-1820
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651 |
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|a Great Britain / fast
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|a eng
|2 ISO 639-2
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989 |
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|b ZDB-39-JOA
|a JSTOR Open Access Books
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776 |
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|z 1805430335
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776 |
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|z 9781805430339
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776 |
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|z 9781805430346
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776 |
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|z 1805430343
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856 |
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|u https://www.jstor.org/stable/10.2307/jj.3643589
|x Verlag
|3 Volltext
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082 |
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|a 787.95
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520 |
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|a Sébastien Erard (1752-1831) was a major force in the technical, musical and visual upgrading of the harp as both a novel instrument and symbol of status
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