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230505 ||| eng |
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|a 9789811584855
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|a Zhu, Zhu
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|a Gray Carnival: Chinese Contemporary Art Since 2000
|h Elektronische Ressource
|c by Zhu Zhu
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| 250 |
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|a 1st ed. 2023
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| 260 |
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|a Singapore
|b Springer Nature Singapore
|c 2023, 2023
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| 300 |
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|a VI, 259 p. 273 illus., 250 illus. in color
|b online resource
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|a Prologue -- Hostages to Ideology -- The Reemergence of Form -- Trans-experience -- Dual Otherness -- Conclusion
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| 653 |
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|a Arts
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|a eng
|2 ISO 639-2
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| 989 |
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|b Springer
|a Springer eBooks 2005-
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|a Chinese Contemporary Art Series
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| 028 |
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|a 10.1007/978-981-15-8485-5
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|u https://doi.org/10.1007/978-981-15-8485-5?nosfx=y
|x Verlag
|3 Volltext
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|a 700
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|a This book draws on extensive first-hand material to provide a fresh and detailed analysis of a decade that was highly significant in shaping the new perceptions of Chinese contemporary art at home and abroad. Written in a language that is both poetic and philosophically insightful, it offers a meaningful exploration of a language of criticism indigenous to the Chinese art community, which won Zhu Zhu, the author, the 2011 CCAA Art Critic A.
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