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230313 ||| eng |
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|a 978-3-11-059533-8
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|a 978-3-11-059273-3
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|a F1788
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|a Vinzent, Jutta
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|a From space in modern art to a spatial art history
|h Elektronische Ressource
|b reassessing constructivism through the publication "Circle" (1937)
|c Jutta Vinzent
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260 |
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|a Berlin ; Boston
|b De Gruyter Oldenbourg
|c 2020 ©2020
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|a VI, 233 pages
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|a 1 Introduction: Circle, Space and a Spatial Art History -- 2 Associations between the Planning, Publication and Reception of Circle -- 3 Spatial Concepts in Circle and Beyond -- 4 Outlook -- Bibliography -- List of Illustrations -- Index
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653 |
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|a Circle (Zusammenstellung)
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653 |
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|a Konstruktivismus <Kunst>
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653 |
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|a Ästhetik
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653 |
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|a Space (Art)
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653 |
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|a Art, Modern--20th century
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|a eng
|2 ISO 639-2
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|b GRUYMPG
|a DeGruyter MPG Collection
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|a SpatioTemporality
|v volume 6
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|a 10.1515/9783110595338
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|z 978-3-11-059493-5
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|u https://www.degruyter.com/document/doi/10.1515/9783110595338
|x Verlag
|3 Volltext
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|a 927
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|a This book traces artists’ theories of constructive space in the first half of the twentieth century. Drawing on these concepts and recent theories on space, it develops a methodology termed ‘Spatial Art History’ that conceives of artworks as physical spatio-temporal things, which produce the social, to overcome the reductive understanding of art as a mere mirror or facilitator of society.
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