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The film photography handbook rediscovering photography in 35mm, medium, and large format

Film photography has recently witnessed a significant renaissance—and not just among those who have previously shot with film. Interest in film photography and analog photography has also grown enormously among those who have only ever shot digitally. In The Film Photography Handbook, 3rd Edition, a...

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Bibliographic Details
Main Authors: Marquardt, Chris, Andrae, Monika (Author)
Format: eBook
Language:English
Published: San Rafael, CA Rocky Nook, Inc. 2023
Edition:3rd edition
Subjects:
Photography / Fast
Photography / Handbooks, Manuals, Etc / Http://id.loc.gov/authorities/subjects/sh85101227
Online Access:
Collection: O'Reilly - Collection details see MPG.ReNa
Table of Contents:
  • 6.3.4 General Procedure for Film Processing
  • 6.3.5 Dust
  • 6.3.6 Troubleshooting
  • 6.3.7 Digital Helpers
  • 6.3.8 Community
  • 6.3.9 Push and Pull
  • 6.4 Processing Yourself: Color
  • 6.4.1 The Typical C-41 Negative Kit
  • 6.4.2 Temperatures
  • 6.4.3 Step-by-Step C-41 Developing
  • 6.4.4 Step-by-Step E-6 Developing
  • 6.4.5 Useful Accessories
  • 7. Post-Processing
  • 7.1 Traditional
  • 7.1.1 The Enlargement-General Principle
  • 7.1.2 Equipment for a Black-and-White Laboratory
  • 7.1.3 The Right Paper
  • 7.1.4 Grades
  • 7.1.5 The Contact Print
  • 7.2 Hybrid Analog/Digital
  • 7.2.1 Scanner Types
  • 5.1 Black-and-White Film
  • 5.1.1 From Color to Black-and-White
  • 5.1.2 Orthochromatic Film
  • 5.1.3 Panchromatic Film
  • 5.1.4 Infrared (IR) Film
  • 5.1.5 Film with Aura Effect
  • 5.1.6 Color Filters
  • 5.2 Color Film
  • 5.2.1 Color Negative Film
  • 5.2.2 Slide Film
  • 5.2.3 Other Types of Film
  • 5.2.4 Who Makes These "Special" Films?
  • 5.3 Instant Film
  • 5.4 ISO-The Film Speed
  • 6. In the Laboratory
  • 6.1 Industrial Laboratory
  • 6.2 Professional Laboratory
  • 6.3 Processing Yourself: Black-and-White
  • 6.3.1 Overview: Negative Processing
  • 6.3.2 Chemicals
  • 6.3.3 Hardware
  • Includes bibliographical references
  • 7.2.2 Scanner Parameters
  • 7.2.3 Scanning Software
  • 7.2.4 Scanner Profiling
  • 7.2.5 Accessories
  • 7.2.6 The Scanning Process
  • 7.2.7 Scanning Without a Scanner
  • 7.3 Digital Printing
  • 7.3.1 Having Photos Printed: By a Discounter
  • 7.3.2 Having Photos Printed: At a Professional Lab
  • 7.3.3 Printing Photos Yourself
  • 7.3.4 High-End Inkjet Prints
  • 7.3.5 Profiling
  • 7.3.6 Printing Workflow
  • 7.4 Historical Processes
  • 7.4.1 Cyanotype
  • 7.4.2 Albumen Print
  • 8. Presentation
  • 8.1 Mats
  • 8.1.1 It's All About the Right Size
  • 8.2 Frames
  • 8.3 Mounting Techniques
  • 8.3.1 Matting
  • Cover
  • Title Page
  • Copyright
  • Table of Contents
  • 1. Why Film Photography?
  • 1.1 Enjoying the Process
  • 1.2 Too Many Options Make You Unhappy
  • 2. Analog or Digital?
  • 2.1 Film Grain
  • 2.2 Arrangement
  • 2.3 Sharpness
  • 2.4 Area
  • 2.5 Contrast Range
  • 2.6 Angle of Light
  • 2.7 The Bayer Pattern
  • 2.8 Banding
  • 2.9 White Balance vs. Film Type
  • 2.10 Further Processing
  • 3. Cameras and Film Formats
  • 3.1 35mm
  • 3.1.1 The Film
  • 3.1.2 Rangefinder
  • 3.1.3 Single-Lens Reflex Camera
  • 3.2 Medium Format: 6×6"", 6×7"", and 6×9
  • 3.2.1 Film Types
  • 3.2.2 Image Formats
  • 3.2.3 Camera Types
  • 3.3 Large Format: 4×5
  • 3.3.1 Large Format Cameras
  • 3.3.2 Film and Film Holders
  • 3.3.3 Camera Movement
  • 3.4 Tips on Buying a Camera
  • 3.4.1 Light Seals
  • 3.4.2 Shutters
  • 3.4.3 Lenses
  • 4. Exposure
  • 4.1 Stops
  • 4.2 F-Numbers
  • 4.3 Light Metering
  • 4.3.1 Reflective Metering
  • 4.3.2 Incident Metering
  • 4.4 Without Light Meter
  • 4.4.1 Sunny 16
  • 4.4.2 Looney 11
  • 4.5 With Light Meter
  • 4.5.1 Handheld Light Meter
  • 4.5.2 Smartphone
  • 4.5.3 Gray Card
  • 4.5.4 Professional Light Meter
  • 4.6 Light Metering with the Zone System
  • 5. Film

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