Analysing Gender in Performance
Analysing Gender in Performance brings together the fields of Gender Studies and Performance Analysis to explore how contemporary performance represents and interrogates gender. This edited collection includes a wide range of scholarly essays, as well as artists’ voices and their accounts of their w...
| Other Authors: | , |
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| Format: | eBook |
| Language: | English |
| Published: |
Cham
Palgrave Macmillan
2022, 2022
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| Edition: | 1st ed. 2022 |
| Subjects: | |
| Online Access: | |
| Collection: | Springer eBooks 2005- - Collection details see MPG.ReNa |
Table of Contents:
- 1 Introduction
- Part I 1970s–1990s
- 2 Pina Bausch’s Kontakthof: Choreographies of Gender and Costume
- 3 Queer Becomings: The Ridiculous Theatrical Company’s Camille and Split Britches/Bloolips’ Belle Reprieve
- 4 Théâtre du Soleil and Ariane Mnouchkine: Living and Performing Gender Politics
- 5 Nora, Lucia, and Lear: Gender and Performance at Mabou Mines
- 6 Freaks and Not Freaks: Theatre and the Making of Crip Identity
- 7 Fires in the Mirror: Representations of Race, Gender and Class in Anna Deavere Smith’s Search for American Character
- Part II Interruption: Artists Speak About Their Work
- 8 Black Women Performers: ‘I Don’t Want to Do Anything Else’
- 9 Trans-body-text: Exploring Performance Disruptions, a Discussion with Lazlo Pearlman
- 10 Embodied and En-sited Performance: Reflections on Gender in Cooking Miss Julie/Miss Julie Cooks and March of Women
- 11 A Manifesto of Living Self-portraiture (Identity, Transformation, and Performance)
- Part III 2000s–2020s
- 12 Love and Information by Caryl Churchill, or Sexuality and Gender in Non-binary Times
- 13 Gender and the Aesthetics of Occupation: Making Room for Women’s Labour at the Theatre
- 14 Performing Reproduction in an Age of Overproduction: Environmental Installations by Ai Hasegawa
- 15 Loose Wrists: Camp and Intersectional Politics in the Works of Cazwell, Todrick Hall, and Big Freedia
- 16 Riotous Assembly: Performing Gender and Social Justice in thisispopbaby’s RIOT
- 17 From Gimmick Casting to Standard Practice: Re-gendering Shakespeare in Performance
- 18 ‘Women’s Business’: Leah Purcell’s The Drover’s Wife and the Reclamation of Black Australian History
- 19 Gender-Assemblages: The Scenographics of Sin Wai Kin