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221110 ||| eng |
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|a 9781472503534
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|a 9781472544728
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|a 9781472503527
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|a Pigott, Michael
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| 245 |
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|a Joseph Cornell Versus Cinema
|h Elektronische Ressource
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| 260 |
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|a London
|b Bloomsbury Academic
|c 2013
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| 300 |
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|a 144 p.
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| 653 |
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|a History of art
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| 653 |
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|a Films, cinema
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| 653 |
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|a Film history, theory and criticism
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| 653 |
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|a Cultural studies
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| 653 |
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|a Early 20th century c 1900 to c 1950
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| 653 |
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|a History of art
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| 653 |
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|a Popular culture
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| 041 |
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7 |
|a eng
|2 ISO 639-2
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| 989 |
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|b OAPEN
|a OAPEN
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|a The WISH List
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| 500 |
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|a Creative Commons (cc), https://creativecommons.org/licenses/by-nc/3.0/
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|a 10.5040/9781472544728
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| 856 |
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|u https://library.oapen.org/bitstream/id/fb270b5a-74df-4f83-a252-79bc33d33bc7/9781472503527.pdf
|x Verlag
|3 Volltext
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|u https://library.oapen.org/handle/20.500.12657/58735
|z OAPEN Library: description of the publication
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|a 900
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|a 700
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|a This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. Joseph Cornell is one of the most significant American artists of the 20th century. His work is highly visible in the world's most prestigious galleries, including the Tate Modern and MOMA. His famous boxes and his collage work have been admired and widely studied. However, Cornell also produced an extraordinary body of film work, a serious contribution to 20th-century avant-garde cinema, and this has been much less examined. In this book, Michael Piggott makes the case for the significance of Joseph Cornell's films. This is an important contribution to our knowledge of 20th-century culture for scholars and students of film and art history and American studies and for all those interested in pop culture, celebrity and fandom.
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