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|a 1910634921
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|a PT6429
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|a Gezelle, Guido
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|a Poems of Guido Gezelle
|h Elektronische Ressource
|b a bilingual anthology
|c edited by Paul Vincent
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|a London
|b UCL Press
|c 2016, 2016℗©2016
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|a xvi, 235 pages
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|a Includes bibliographical references (pages 229-235)
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|a Silvery White Swans (Vincent)*Rammentati; Rammentati (Van Eyken)*; 1859; 't Er viel 'ne keer ... ; A Little Leaf Once Fluttered ... (Jones); Wie zijt gij; What Are You? (Van Eyken)*; Ik misse u; I Miss You (Vincent)*; Een dreupel poesij; A Drop of Poetry (King)*; God is daar; God is There (Van Eyken)*; Als de ziele luistert; When the Soul Listens (Swepstone); Ter inleidinge; Introduction (Vincent)*; Kerkhofblommen; Churchyard Flowers (fragment, Van Eyken)*; Gij badt op eenen berg; You Prayed on the Mountainside, Alone (Brockway); Blijdschap; Joy (Roosbroeck); Hoort 't is de wind
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|a Hark! It's the Wind (Van Eyken)'k Hoore tuitend' hoornen; Hark, Bugles Are Calling (Lovelock)*; Boerke Naas; Farmer Nick (Jones)*; Slaapt, slaapt, kindtje slaapt; Sleep, Baby, Sleep! (Van Eyken)*; 1860; Gelukkig kind; Happy Child (King)*; 's Avonds; Evening (Van Eyken)*; Daar Iiep een dichtje in mijn gebed; A Little Verse Ran through My Prayer (King)*; Gij zegt dat 't Vlaamsch te niet zal gaan; You Say That Flemish Soon Will Die (Irons); Tot de zonne; To the Sun (Bithell); Hoe stille is 't als de donder dreegt; How Still before the Thunder Comes (Van Eyken); Niet; Nothing (Van Eyken)*; 1861
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|a POEMS AND TRANSLATIONS: Poems in chronological order (*previously unpublished translation); 1848; De Mandelbeke; The Mandel Stream (fragment, Swepstone); 1852; Aanroepinge; Reply in Verses (Van Eyken)*; 1855; Boodschap van de vogels en andere opgezette dieren; Message from the Birds and Other Stuffed Animals (Van Eyken)*; De averulle en de blomme
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|a Introduction: The English World of Guido Gezelle / PIET COUTTENIER -- Translating a National Monument / ANDRÉ LEFEVERE -- Chronology of Gezelle's Life and Work -- TEN VERSIONS OF 'O LIED'
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|a 'T zij vroeg of laatRight Soon or Late (Van Eyken); 1862; 't Laatste; The Last (Vincent)*; Hangt nen truisch; Hang a Sash (Vincent)*; 1866; Heidensch lied; Pagan Song (Van Eyken); 1870; Halleluja; Hallelujah (Van Eyken)*; 1872; Verloren moeite; Wasted Effort (Van Eyken); 1877; O dichtergeest; O Poetry (Vincent)*; En durft gij mij; And Do You Dare (Vincent)*; 1879; De Vlaamsche taal; Our Flemish Speech (Barnouw); 1880; O vrienden; O Friends (Van Eyken); 1882; O wilde en overvalschte pracht; O Wild and Perfect Harmony (Van Eyken)*; Wat hangt gij daar te praten
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|a The Cockchafer and the Flower (Vincent)*Timpe, tompe, terelink; Hyder Iddle Diddle Dum (Lovelock)*; 1857; Het schrijverke (Gyrinus natans); The Watter-Scriever (Gyrinus natans) (Morgan); O 't ruischen van het ranke riet; Oh! The Rustling of the Slender Reed (Swepstone); Aan de leeuwerke in de lucht; To the Lark in the Sky (Vincent)*; 1858; Ik droome alreê; I Dream E'en Now (Vincent)*; Een bonke keerzen kind; A Bunch of Cherries, Child (Holmes); Dien avond en die rooze; That Evening and That Rose (Stillman); In de blanke lonken; In the White Moon Winking (Claes/D'haen); Zilverblanke zwanen
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|a Gezelle, Guido / 1830-1899 / fast
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|a Lyric poetry
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|a FICTION / General
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|a Vincent, Paul
|e [editor]
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|a Gezelle, Guido
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|a Gezelle, Guido
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|a eng
|2 ISO 639-2
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|b ZDB-39-JOA
|a JSTOR Open Access Books
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|a Open Access e-Books
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|a "First published in 1999 by the UCL Centre for Low Countries Studies"--Title page verso
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|a GBB6C6544
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|z 9781910634950
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|z 1910634956
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|z 9781910634967
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|u https://www.jstor.org/stable/10.2307/j.ctt1hd189w
|x Verlag
|3 Volltext
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|a 839.3/115
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|a The Bruges-born poet-priest Guido Gezelle (1830-1899) is generally considered one of the masters of nineteenth-century European lyric poetry. At the end of his life and in the first two decades of the twentieth century, Gezelle was hailed by the avant-garde as the founder of modernFlemish poetry. His unique voice was belatedly recognised in the Netherlandsand often compared with his English contemporary Gerard Manley Hopkins (1844-1889). In this bilingual anthology, award-winning translator Paul Vincent selects a representative picture of Gezelle's output, from devotional through narrative, to celebratory and expressionistic. Gezelle's favourite themes are childhood, the Flemish landscape, friendship, nature, religion and the Flemish vernacular, and his apparently simple poems conceal a sophisticated prosody and a dialogue with spiritual and literary tradition
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