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|z 9089642552
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|a 9089642552
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|z 9789089642554
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|a 9789089642554
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4 |
|a NX180.I56
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| 100 |
1 |
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|a Bay-Cheng, Sarah
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| 245 |
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|a Mapping intermediality in performance
|h Elektronische Ressource
|c edited by Sarah Bay-Cheng [and others]
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| 260 |
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|a Amsterdam
|b Amsterdam University Press
|c ©2010, 2010
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| 300 |
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|a 304 pages
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| 505 |
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|a Introduction: prospective mapping and network of terms -- Portal: performativity and corporeal literacy -- Node: modes of experience -- Instances -- Portal: time and space -- Node: dimensions -- Instances -- Portal: digital culture and posthumanism -- Node: actuality-virtuality -- Instances -- Portal: networking -- Node: inter-relations -- Instances -- Portal: pedagogic praxis -- Retrospection: the pre- and proto-digital
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| 505 |
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|a Includes bibliographical references (pages 267-281) and index
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| 653 |
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|a Intermediality
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| 653 |
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|a Digital media
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| 653 |
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|a PERFORMING ARTS / Film & Video / General
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| 653 |
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|a PERFORMING ARTS / Theater / History & Criticism
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| 653 |
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|a Performance art
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| 041 |
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|a enc
|2 ISO 639-2
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| 989 |
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|b ZDB-39-JOA
|a JSTOR Open Access Books
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| 490 |
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|a Media matters
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| 028 |
5 |
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|a 10.5117/9789089642554
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| 773 |
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|t OAPEN (Open Access Publishing in European Networks)
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| 773 |
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|t Books at JSTOR: Open Access
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| 776 |
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|z 9048513146
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| 776 |
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|z 9789048513147
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| 856 |
4 |
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|u https://www.jstor.org/stable/10.2307/j.ctt46mwjd
|x Verlag
|3 Volltext
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| 082 |
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|a 792.01
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| 520 |
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|a This volume examines afresh the impact upon acting and performance of digital technologies. It is concerned with how digital culture combines the traditional 'liveness' of theatre with media interfaces and internet protocols. The time and space of the 'here and now' are both challenged and adapted, just as barriers between theatre-makers and the 'experiencers' of events are broken down. Today many of us are everyday players performing the interconnectedness of digital culture and a key aim of the book is to unpack the multiple interrelations within the landscape of contemporary performance
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