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220922 ||| eng |
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|a 9780262295215
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|a 0262295210
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| 050 |
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4 |
|a QA76.76.D47
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| 100 |
1 |
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|a Chun, Wendy Hui Kyong
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| 245 |
0 |
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|a Programmed visions
|h Elektronische Ressource
|b software and memory
|c Wendy Hui Kyong Chun
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| 260 |
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|a Cambridge, Mass.
|b MIT Press
|c 2011
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| 300 |
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|a xiii, 239 pages
|b illustrations
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| 653 |
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|a Computer software / Human factors
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| 653 |
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|a Software architecture / Social aspects
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| 653 |
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|a SOCIAL SCIENCES/Media Studies
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| 653 |
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|a Computer software / Development / Social aspects
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| 653 |
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|a SCIENCE, TECHNOLOGY & SOCIETY/General
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| 653 |
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|a DIGITAL HUMANITIES & NEW MEDIA/Software Studies
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| 041 |
0 |
7 |
|a eng
|2 ISO 639-2
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| 989 |
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|b MITArchiv
|a MIT Press eBook Archive
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| 490 |
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|a Software studies
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| 028 |
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|a 10.7551/mitpress/9780262015424.001.0001
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| 856 |
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|u https://doi.org/10.7551/mitpress/9780262015424.001.0001?locatt=mode:legacy
|x Verlag
|3 Volltext
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|a 005.1
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| 520 |
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|a Wendy Hui Kyong Chun argues that cycles of obsolescence & renewal result in part from the ways in which new media encapsulates a logic of programmability. In seeking to embody a future based on past data, new media becomes a metaphor for metaphor itself
|