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220922 ||| eng |
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|a 0262318911
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|a 9780262318914
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4 |
|a N72.M3
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| 100 |
1 |
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|a Sha, Xin Wei
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| 245 |
0 |
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|a Poiesis and enchantment in topological matter
|h Elektronische Ressource
|c Sha Xin Wei
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| 260 |
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|a Cambridge, Massachusetts
|b MIT Press
|c 2013
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| 300 |
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|a xix, 363 pages
|b illustrations
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| 653 |
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|a SOCIAL SCIENCES/Media Studies
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| 653 |
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|a New media art
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| 653 |
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|a CULTURAL STUDIES/Critical Theory
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| 653 |
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|a Art / Mathematics
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| 653 |
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|a DIGITAL HUMANITIES & NEW MEDIA/New Media Art
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| 653 |
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|a Topology
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| 041 |
0 |
7 |
|a eng
|2 ISO 639-2
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| 989 |
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|b MITArchiv
|a MIT Press eBook Archive
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| 028 |
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|a 10.7551/mitpress/9780262019514.001.0001
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| 856 |
4 |
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|u https://doi.org/10.7551/mitpress/9780262019514.001.0001?locatt=mode:legacy
|x Verlag
|3 Volltext
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| 082 |
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|a 701/.51
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| 520 |
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|a Movement and gesture are arguably essential aspects of engendering human experience. But rather than taking 'the body' or 'cognition' for granted as conceptual starting points, we attend to the substrate matter in which gesture takes shape and place. An experimental approach to such questions motivates the exploration of responsive, and in particular, computational media created for sustaining experientially rich, improvisational activity. This book explores rehearsed as well as unrehearsed activity in distributed, continuous fields of responsive media-topological matter
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